Seeing Christ in the Psalms 1: Athanasius

The Fathers take a range of views about the extent to which Christ can be seen in the psalms, ranging from seeing him prophesied in a few individual psalms, to him being the main subject of the entire psalter.  To illustrate this, I want to start with St Athanasius, again from his famous letter to Marcellinus:

And, so far from being ignorant of the coming of Messiah, he makes mention of it first and foremost in Psalm 44, Thy throne, O God, is for ever and ever, a scepter of justice is the sceptre of Thy kingdom. Thou has loved righteousness and hated lawlessness: wherefore God, even thy God, hath anointed thee with the oil of gladness above thy fellows. 

Further, lest any one should think this coming was in appearance only, Psalm 86 shows that He Who was to come should both come as man and at the same time be He by Whom all things were made. Mother Sion shall say, A man, a man indeed is born in her: and He himself, the Most Highest, founded her, it says; and that is equivalent to saying The Word was God, all things were made by Him, and the Word became flesh. 

Neither is the Psalmist silent about the fact that He should be born of a virgin - no, he underlines it straight away in 44, which we were quoting, but a moment since. Harken, O daughter, he says, and see and incline thine ear, and forget thine own people and thy fathers's house. For the King has desired thy beauty, and He is thy Lord. Is not this like what Gabriel said, Hail, thou that art full of grace, the Lord is with thee?  For the Psalmist, having called Him the Anointed One, that is Messiah or Christ, forthwith declares His human birth by saying, Harken, O daughter, and see; the only difference being that Gabriel addresses Mary by an epithet, because he is of another race from her, while David fitly calls her his own daughter, because it was from him that she should spring.

Having thus shown that Christ should come in human form, the Psalter goes on to show that He can suffer in the flesh He has assumed. It is as foreseeing how the Jews would plot against Him that Psalm 2 sings, Why do the heathen rage and peoples meditate vain things? The kings of the earth stood up and their rulers took counsel together against the Lord and against His Christ. 

And Psalm 21, speaking in the Saviour's own person, describes the manner of His death. Thou has brought me into the dust of death, for many dogs have compassed me, the assembly of the wicked have laid siege to me. They peirced my hands and my feet, they numbered all my bones, they gazed and stared at me, they parted my garments among them and cast lots for my vesture. They pierced my hands and my feet- what else can that mean except the cross? and Psalms 87 and 68, again speaking in the Lord's own person, tell us further that He suffered these things, not for His own sake but for ours. Thou has made Thy wrath to rest upon me, says the one; and the other adds, I paid them things I never took. For He did not die as being Himself liable to death: He suffered for us, and bore in Himself the wrath that was the penalty of our transgression, even as Isaiah says, Himself bore our weaknesses. So in Psalm 137 we say, The Lord will make requital for me; and in the 71st the Spirit says, He shall save the children of the poor and bring the slanderer low, for from the hand of the mighty He has set the poor man free, the needy man whom there was none to help.

Nor is this all. The Psalter further indicates beforehand the bodily Ascension of the Saviour into heaven, saying in Psalm 23, Lift up your gates, ye princes, and be ye lift up, ye everlasting doors, and the king of glory shall come in! And again in 46, God is gone up with a merry noise, the Lord with the voice of the trumpet. 

The Session also it proclaims, saying in Psalm 109, The Lord said unto my Lord, Sit thou on My right hand, until I make thine enemies the footstool of thy feet.And Psalm 8 mentions also the coming destruction of the devil, crying, Thou satest on Thy throne, Thou that judgest righteousness, Thou hast rebuked the heathen and the wicked one is destroyed. And that He should receive all judgement from the Father, this also the Psalter does not hide from us, but foreshows Him as coming to be the judge of all in 71, Give the King Thy judgements, O God, and Thy righteousness unto the King's Son, that He may judge Thy people in righteousness and Thy poor with justice. In Psalm 49 too we read, He shall call the heaven from above, and the earth, that He may judge His people. And the heavens shall declare His righteousness, that God is judge indeed. The 81st like-wise says, God standeth in the assembly of gods, in the midst He judges gods. The calling of the Gentiles also is to be learnt from many passages in this same book, especially in these words of Psalm 46, O clap your hands together, all ye Gentiles, shout unto God with the voice of triumph; and again in the 71st, The Ethiopians shall fall down before Him, His enemies shall lick the dust. The kings of Tarsis and of the islands shall bring presents, the kings of Arabia and Saba shall offer gifts. All these things are sung of in the Psalter; and they are shown forth separately in the other books as well.

My old friend made rather a point of this, that the things we find in the Psalms about the Saviour are stated in the other books of Scripture too; he stressed the fact that one interpretation is common to them all, and that they have but one voice in the Holy Spirit.

Athanasius/4 - Why we should sing the psalms

Athanasius insists that the psalms be sung, not said:

But we must not omit to explain the reason why words of this kind should be not merely said, but rendered with melody and song; for there are actually some simple folk among us who, though they believe the words to be inspired, yet think the reason for singing them is just to make them more pleasing to the ear! 

This is by no means so; Holy Scripture is not designed to tickle the aesthetic palate, and it is rather for the soul's own profit that the Psalms are sung. This is so chiefly for two reasons. In the first place, it is fitting that the sacred writings should praise God in poetry as well as prose, because the freer, less restricted form of verse, in which the Psalms, together with the Canticles and Odes, are cast, ensures that by them men should express their love to God with all the strength and power they possess. And, secondly, the reason lies in the unifying effect which chanting the Psalms has upon the singer. 

For to sing the Psalms demands such concentration of a man's whole being on them that, in doing it, his usual disharmony of mind and corresponding bodily confusion is resolved, just as the notes of several flutes are brought by harmony to one effect; and he is thus no longer to be found thinking good and doing evil, as Pilate did when, though saying I find no crime in Him, he yet allowed the Jews to have their way; nor desiring evil though unable to achieve it, as did the elders in their sin against Susanna - or, for that matter, as does any man who abstains from one sin and yet desires another every bit as bad. And it is in order that the melody may thus express our inner spiritual harmony, just as the words voice our thoughts, that the Lord Himself has ordained that the Psalms be sung and recited to a chant.

Moreover, to do this beautifully is the heart's desire and joy, as it is written, Is any among you happy? Let him sing!  And if there is in the words anything harsh, irregular or rough, the tune will smoothe it out, as in our own souls also sadness is lightened as we chant, Why then art thou so heavy, O my soul, why dost thou trouble me? and failure is acknowledged as one sings, My feet were almost gone, and fear is braced by hope in singing, The Lord is my helper, I will not fear what man can do to me.

Well, then, they who do not read the Scriptures in this way, that is to say, who do not chant the divine Songs intelligently but simply please themselves, most surely are to blame, for praise is not befitting in a sinner's mouth.  But those who do sing as I have indicated, so that the melody of the words springs naturally from the rhythm of the soul and her own union with the Spirit, they sing with the tongue and with the understanding also, and greatly benefit not themselves alone but also those who want to listen to them. So was it with the blessed David when he played to Saul: he pleased God and, at the same time, he drove from Saul his madness and his anger and gave back peace to his distracted spirit. In like manner, the priests by their singing contributed towards the calming of the people's spirits and helped to unite them with those who lead the heavenly choir. 

When, therefore, the Psalms are chanted, it is not from any mere desire for sweet music but as the outward expression of the inward harmony obtaining in the soul, because such harmonious recitation is in itself the index of a peaceful and well-ordered heart. To praise God tunefully upon an instrument, such as well-tuned cymbals, cithara, or ten-stringed psaltery, is, as we know, an outward token that the members of the body and the thoughts of the heart are, like the instruments themselves, in proper order and control, all of them together living and moving by the Spirit's cry and breath. 

And similarly, as it is written that By the Spirit a man lives and mortifies his bodily actions, so he who sings well puts his soul in tune, correcting by degrees its faulty rhythm so that at last, being truly natural and integrated, it has fear of nothing, but in peaceful freedom from all vain imaginings may apply itself with greater longing to the good things to come. For a soul rightly ordered by chanting the sacred words forgets its own afflictions and contemplates with joy the things of Christ alone.

St Athansius/ 3: The psalms as a mirror of the soul

Athanasius' letter to Marvellinus continues:

And herein is yet another strange thing about the Psalms. In the other books of Scripture we read or hear the words of holy men as belonging only to those who spoke them, not at all as though they were our own; and in the same way the doings there narrated are to us material for wonder and examples to be followed, but not in any sense things we have done ourselves. 

With this book, however, though one does read the prophecies about the Saviour in that way, with reverence and with awe, in the case of all the other Psalms it is as though it were one's own words that one read; and anyone who hears them is moved at heart, as though they voiced for him his deepest thoughts...the marvel with the Psalter is that, barring those prophecies about the Saviour and some about the Gentiles, the reader takes all its words upon his lips as though they were his own, and each one sings the Psalms as though they had been written for his special benefit, and takes them and recites them, not as though someone else were speaking or another person's feelings being described, but as himself speaking of himself, offering the words to God as his own heart's utterance, just as though he himself had made them up. Not as the words of the patriarchs or of Moses and the other prophets will he reverence these: no, he is bold to take them as his own and written for his very self. Whether he has kept the Law or whether he has broken it, it is his own doings that the Psalms describe; every one is bound to find his very self in them and, be he faithful soul or be he sinner, each reads in them descriptions of himself.

 It seems to me, moreover, that because the Psalms thus serve him who sings them as a mirror, wherein he sees himself and his own soul, he cannot help but render them in such a manner that their words go home with equal force to those who hear him sing, and stir them also to a like reaction. 

Sometimes it is repentance that is generated in this way, as by the conscience-stirring words of Psalm 50; another time, hearing how God helps those who hope and trust in Him, the listener too rejoices and begins to render thanks, as though that gracious help already were his own. Psalm 3, to take another instance, a man will sing, bearing his own afflictions in his mind; Psalms 10 and 11 he will use as the expression of his own faith and prayer; and singing the 53th, the 55th, the 56th, and the 141nd, it is not as though someone else were being persecuted but out of his own experience that he renders praise to God. 

And every other Psalm is spoken and composed by the Spirit in the selfsame way: just as in a mirror, the movements of our own souls are reflected in them and the words are indeed our very own, given us to serve both as a reminder of our changes of condition and as a pattern and model for the amendment of our lives.

St Athanasius/2 - the psalms as spiritual formation

More from St Athanasius' famous letter to Marcellins, this time on the psalms as a source of spiritual formation:

...among all the books [of the Bible], the Psalter has certainly a very special grace, a choiceness of quality well worthy to be pondered; for, besides the characteristics which it shares with others, it has this peculiar marvel of its own, that within it are represented and portrayed in all their great variety the movements of the human soul. It is like a picture, in which you see yourself portrayed, and seeing, may understand and consequently form yourself upon the pattern given. 

Elsewhere in the Bible you read only that the Law commands this or that to be done, you listen to the Prophets to learn about the Saviour's coming, or you turn to the historical books to learn the doings of the kings and holy men; but in the Psalter, besides all these things, you learn about yourself. You find depicted in it all the movements of your soul, all its changes, its ups and downs, its failures and recoveries.

Moreover, whatever your particular need or trouble, from this same book you can select a form of words to fit it, so that you do not merely hear and then pass on, but learn the way to remedy your ill. 

Prohibitions of evil-doing are plentiful in Scripture, but only the Psalter tells you how to obey these orders and abstain from sin. Repentance, for example, is enjoined repeatedly; but to repent means to leave off sinning, and it is the Psalms that show you how to set about repenting and with what words your penitence may be expressed. 

Again, Saint Paul says, Tribulation worketh endurance, and endurance experience, and experience hope, and hope maketh not ashamed [Rom 5:3, 5]; but it is in the Psalms that we find written and described how afflictions should be borne, and what the afflicted ought to say, both at the time and when his troubles cease: the whole process of his testing is set forth in them and we are shown exactly with what words to voice our hope in God. 

Or take the commandment, In everything give thanks.  The Psalms not only exhort us to be thankful, they also provide us with fitting words to say. 

We are told, too, by other writers that all who would live godly in Christ must suffer persecution; and here again the Psalms supply words with which both those who flee persecution and those who suffer under it may suitably address themselves to God, and it does the same for those who have been rescued from it. 

We are bidden elsewhere in the Bible also to bless the Lord and to acknowledge Him: here in the Psalms we are shown the way to do it, and with what sort of words His majesty may meetly be confessed. In fact, under all the circumstances of life, we shall find that these divine songs suit ourselves and meet our own souls' need at every turn.

St Athanasius and the garden of delight

The introduction to St Athanasius' letter to Marcellinus points to the re-eminence of the book of Psalms in Scripture:

SON, all the books of Scripture, both Old Testament and New, are inspired by God and useful for instruction, as it is written; but to those who really study it the Psalter yields especial treasure.

Each book of the Bible has, of course, its own particular message: the Pentateuch, for example, tells of the beginning of the world, the doings of the patriarchs, the exodus of Israel from Egypt, the giving of the Law, and the ordering of the tabernacle and the priesthood; The Triteuch [Joshua, Judges, and Ruth] describes the division of the inheritance, the acts of the judges, and the ancestry of David; Kings and Chronicles record the doings of the kings, Esdras [Ezra] the deliverance from exile, the return of the people, and the building of the temple and the city; the Prophets foretell the coming of the Saviour, put us in mind of the commandments, reprove transgressors, and for the Gentiles also have a special word.

Each of these books, you see, is like a garden which grows one special kind of fruit; by contrast, the Psalter is a garden which, besides its special fruit, grows also some those of all the rest.

Psalm 137 in the context of Wednesday Vespers

Mercy and truth

The final psalm of Wednesday Vespers is Psalm 137, and as I've previously provided a series of notes on Psalm 137 in the context of the Office of the Dead, I'm just going to devote one post to it here, to point to some possible links to the themes of Wednesday in the Office.

This hymn of thanksgiving alternates between the personal concerns of the speaker, and a call for the praise of God to be spread amongst all nations.  God is to be worshipped, it argues, for his truth and mercy, for his help in times of tribulation and aid against enemies, and for his aid to the poor and marginalized.

So how does it fit into the Wednesday schema?

First, Wednesday's Vespers psalms have all focused on the issue of worshipping God in spirit and truth, and rejecting the allure of false substitutes such as power, wealth or pleasure.  Psalm 137's sentiments on praising God in the presence of the angels (verse 2) continues this theme, and reflects a point that St Benedict emphasizes in his Rule:

"We believe that the divine presence is everywhere and that "the eyes of the Lord are looking on the good and the evil in every place" (Prov. 15:3). But we should believe this especially without any doubt when we are assisting at the Work of God.  To that end let us be mindful always of the Prophet's words, "Serve the Lord in fear" and again "Sing praises wisely" and "In the sight of the Angels I will sing praise to You". Let us therefore consider how we ought to conduct ourselves in sight of the Godhead and of His Angels,  and let us take part in the psalmody in such a way that our mind may be in harmony with our voice." 

Secondly, the days psalms have been instructing us on resisting temptation, stopping us from becoming Judas' who will be cast out from the path of salvation.  Verses 4&8 in particular point to the aid that God will give us in difficult times to this end.

Finally, the psalms of Wednesday have been recalling for us key events in salvation history.  We now come to the most important of these, looking forward to the mini-Triduum of the Office, with the Passion.  The psalm points out in verse 9 that when we do fall, Christ is ready to pull us out again if we only repent, just as he rescued the Hebrews enslaved by Babylon whose lament we heard in the previous psalm.   We can never merit salvation through our own efforts, but as St Athanasius points out in his famous letter on the interpretation of the psalms, through Christ's sacrifice on the Cross, we can yet be saved:

"Having thus shown that Christ should come in human form, the Psalter goes on to show that He can suffer in the flesh He has assumed... For He did not die as being Himself liable to death: He suffered for us, and bore in Himself the wrath that was the penalty of our transgression, even as Isaiah says, Himself bore our weaknesses. [Mt 8:17] So in Psalm 137 we say, The Lord will make requital for me..."

The text of the psalm

Psalm 137 (138)– Confitebor tibi

Vulgate	Douay-Rheims
Ipsi David.	For David himself.
Confitébor tibi, Dómine, in toto corde meo: * quóniam audísti verba oris mei.	I will praise you, O Lord, with my whole heart: for you have heard the words of my mouth.
2  In conspéctu Angelórum psallam tibi: * adorábo ad templum sanctum tuum, et confitébor nómini tuo.	I will sing praise to you in the sight of the angels: 2 I will worship towards your holy temple, and I will give glory to your name.
3  Super misericórdia tua, et veritáte tua: * quóniam magnificásti super omne, nomen sanctum tuum.	For your mercy, and for your truth: for you have magnified your holy name above all.
4  In quacúmque die invocávero te, exáudi me: * multiplicábis in ánima mea virtútem.	3 In what day soever I shall call upon you, hear me: you shall multiply strength in my soul.
5  Confiteántur tibi, Dómine, omnes reges terræ: * quia audiérunt ómnia verba oris tui.	4 May all the kings of the earth give glory to you: for they have heard all the words of your mouth.
6  Et cantent in viis Dómini: * quóniam magna est glória Dómini.	5 And let them sing in the ways of the Lord: for great is the glory of the Lord.
7  Quóniam excélsus Dóminus, et humília réspicit: * et alta a longe cognóscit.	6 For the Lord is high, and looks on the low: and the high he knows afar off.
8  Si ambulávero in médio tribulatiónis, vivificábis me: * et super iram inimicórum meórum extendísti manum tuam, et salvum me fecit déxtera tua.	7 If I shall walk in the midst of tribulation, you will quicken me: and you have stretched forth your hand against the wrath of my enemies: and your right hand has saved me.
9  Dóminus retríbuet pro me: * Dómine, misericórdia tua in sæculum: ópera mánuum tuárum ne despícias.	8 The Lord will repay for me: your mercy, O Lord endures for ever: O despise not the works of your hands.

Scriptural and liturgical uses of the psalm

NT references	Lk 1:51-52, Jas 4:6, 1 Pet 5:5 (v7); Phil 1:6 (v9)
RB cursus	Wednesday Vespers
Monastic feasts etc	2 Vespers of St Michael the Archangel; Vespers of Dead AN 1812, 4159
Roman pre 1911	Friday Vespers
Responsories	St Michael, All Saints v 1-2 (6893, 6894, 7707 )
Roman post 1911	1911-62: Thurs Vespers 1970: Evening Prayer - Tuesday of the Fourth Week
Mass propers (EF)	Lent 3 Thurs OF (8); PP19, OF (3,7). St Raphael/Votive Mass of the Holy Angels AL (1-2) St Michael OF V (1-2) Dedication of a church AL (2)

And that is the last post in this series of posts on the psalms of Wednesday Vespers.