Showing posts with label Benedictine Office. Show all posts
Showing posts with label Benedictine Office. Show all posts

Friday, April 18, 2025

Holy week and the Benedictine Office pt 4 - Friday and the Triduum in the Benedictine Office




The quintessential psalm of the Passion is of course Psalm 21, not least because it was the start of the set of psalms Christ recited while on the Cross.

In the Benedictine Office it is the second psalm of Matins on Sundays: the first psalm of that hour recalls the Last Supper; the second the Passion.

Psalm 85 and Friday Matins

On ferial Fridays, however, the Office also recalls the Passion, not least through its opening psalm, Psalm 85, which is used on the feast of the Sacred Heart for that reason.

St Cassiodorus, in his commentary on the psalm, interpreted it as the prayer of Christ on the Cross: 

Let us ponder the humility of the prayer poured out to the Father by the Lord Saviour in His passion. He was wholly without sin, but in representing our weakness He asked to be delivered from the dangers of this world. So men's rashness should blush to be arrogant, for they have no doubt of their guilt. Christ prayed for His enemies, and patiently accepted death, whereas we wish to avenge our injuries if attacked by the comments of detractors. May He who afforded an example grant the gift of patience, so that by following His footsteps we may be able to avoid the errors which bring death.

St Alphonsus Liguori took the same view.  The psalmist, he said, 

...initiates us into the sentiments that filled the soul of Jesus Christ during his Passion, and he prophesies the conversion of the Gentiles. 

Psalm 85: Friday matins I, 1

Vulgate
Douay-Rheims
Oratio ipsi David.
A prayer for David himself.
Inclína, Dómine, aurem tuam, et exáudi me : * quóniam inops, et pauper sum ego.
Incline your ear, O Lord, and hear me: for I am needy and poor.
 Custódi ánimam meam, quóniam sanctus sum : * salvum fac servum tuum, Deus meus, sperántem in te.
2 Preserve my soul, for I am holy: save your servant, O my God, that trusts in you.
3  Miserére mei, Dómine, quóniam ad te clamávi tota die : * lætífica ánimam servi tui, quóniam ad te, Dómine, ánimam meam levávi.
3 Have mercy on me, O Lord, for I have cried to you all the day. 4 Give joy to the soul of your servant, for to you, O Lord, I have lifted up my soul.
4  Quóniam tu, Dómine, suávis et mitis : * et multæ misericórdiæ ómnibus invocántibus te.
5 For you, O Lord, are sweet and mild: and plenteous in mercy to all that call upon you.
5  Auribus pércipe, Dómine, oratiónem meam : * et inténde voci deprecatiónis meæ.
6 Give ear, O Lord, to my prayer: and attend to the voice of my petition
6  In die tribulatiónis meæ clamávi ad te : * quia exaudísti me.
7 I have called upon you in the day of my trouble: because you have heard me.
7  Non est símilis tui in diis, Dómine : * et non est secúndum ópera tua.
8 There is none among the gods like unto you, O Lord: and there is none according to your works.
8  Omnes gentes quascúmque fecísti, vénient, et adorábunt coram te, Dómine : * et glorificábunt nomen tuum.
9 All the nations you have made shall come and adore before you, O Lord: and they shall glorify your name.
9  Quóniam magnus es tu, et fáciens mirabília : * tu es Deus solus.
10 For you are great and do wonderful things: you are God alone.
10  Deduc me, Dómine, in via tua, et ingrédiar in veritáte tua : * lætétur cor meum ut tímeat nomen tuum.
11 Conduct me, O Lord, in your way, and I will walk in your truth: let my heart rejoice that it may fear your name.
11  Confitébor tibi, Dómine, Deus meus, in toto corde meo, * et glorificábo nomen tuum in ætérnum.
12 I will praise you, O Lord my God, with my whole heart, and I will glorify your name for ever:
12  Quia misericórdia tua magna est super me : * et eruísti ánimam meam ex inférno inferióri.
13 For your mercy is great towards me: and you have delivered my soul out of the lower hell.
13  Deus iníqui insurrexérunt super me, et synagóga poténtium quæsiérunt ánimam meam : * et non proposuérunt te in conspéctu suo.
14 O God, the wicked are risen up against me, and the assembly of the mighty have sought my soul: and they have not set you before their eyes.
14  Et tu, Dómine, Deus miserátor et miséricors, * pátiens, et multæ misericórdiæ, et verax.
15 And you, O Lord, are a God of compassion, and merciful, patient, and of much mercy, and true.
15  Réspice in me, et miserére mei, * da impérium tuum púero tuo : et salvum fac fílium ancíllæ tuæ.
16 O look upon me, and have mercy on me: give your command to your servant, and save the son of your handmaid.
16  Fac mecum signum in bonum, ut vídeant qui odérunt me, et confundántur : * quóniam tu, Dómine, adjuvísti me, et consolátus es me.
17 Show me a token for good: that they who hate me may see, and be confounded, because you, O Lord, have helped me and have comforted me.

Several of the other psalms of Friday Matins are similarly pertinent to the events of Good Friday: Psalm 93 is used at Good Friday Tenebrae for this reason, while Psalms 86, 88, 92, 96, 96 and 100 are all relevant to its themes.

Friday Lauds

As for Thursday, the Friday canticle, from Habbakuk, has clearly been selected for its appropriateness to the day, as it has long been interpreted as referring to the Passion.

One of the longstanding puzzles of the Benedictine Office, though is why the two variable psalms of the day vary from those in the Roman secular Office.  

St Benedict, of course, specifically stated that he was using the variable psalms of the ancient Roman Office of his time, viz Psalms 75 and 91.  The Roman Office as it has come down to us though, has only one variable psalm each day not two, and for Friday it is Psalm 142, which is used on Saturday in the Benedictine Office.

The most obvious explanation (albeit contra the liturgists), is that the Lauds psalm allocation changed after St Benedict's time, most likely as part of St Gregory the Great's 'strengthening' of the antiphoner (as the Liber Pontificalis describes it); presumably in fact code for shifting the Roman Office to an entirely fixed weekly psalm cursus.

The rationale for the older psalm selection is surely straightforward: Psalm 75's verse 'terra tremuit' surely refers to the earthquake that occurred at Christ's death on the cross, while Psalm 91 was the psalm used at the sabbath sacrifice in Jewish tradition.

Prime

It is notable too, that Prime on Friday is similarly strongly connected to the Passion.

It opens with Psalm 15, which both SS Peter and Paul used in sermons reported in Acts (Chapter 2&13) to speak about Christ’s crucifixion, descent into hell, and resurrection. 

Psalm 16 is the intense prayer of the just man facing death, with verse 13 speaking of someone captured by his enemies and about to be killed.  

And the final psalm of the hour, the first half of Psalm 17, is generally interpreted as witnessing to Christ as the perfect sacrifice by virtue of his obedience.  The centrepiece of this part of the psalm is a dramatic theophany, a storm that shakes the earth with God’s anger, echoing the ‘terra tremuit’ verse in Psalm 75 at Lauds.

Vespers

 Earlier this Lent I provided notes on the first psalm of Friday Vespers, which has long been interpreted as relating to the themes of this day.

The hour ends though, on a note of triumph, singing of the Kingship of Christ both witnessed to on the cross, and central to his descent into Hades.

As we contemplate the Passion today, then, let us also look forward to his glorious Resurrection. Resurrection.

Thursday, April 17, 2025

Holy week and the Benedictine Office pt 3 - Thursday and the Triduum in the Benedictine Office

 In my last post, I pointed to the first three psalms of Sunday Matins as recapitulations of the events of the Triduum, with Psalm 20 pointing us to the Last Supper.

Today I'd like to expand a little on the Thursday Office more generally as part of a 'mini-Triduum' each week.

Many of the psalms of the day arguably go the agony in the Garden, most notably Psalm 87 at Lauds (in the Benedictine, but not Roman Office), often thought to be the darkest of all the psalms, and Psalm 138 at Vespers.

But there is also a strong Eucharistic theme, most notably in Psalm 140 at Vespers, and in the psalms of Matins.

Matins psalms

In the Roman Office, Thursday Matins each week - and hence the Triduum Office - starts at Psalm 68.  

In the Benedictine Office, however, the variable psalms start with Psalm 73, and go up to 84 (Psalm 75 is omitted in the Benedictine sequence as it is used at Friday Lauds, and Psalm 77 is divided in two).

And Psalm 73 opens with a lament for the destruction of the Temple, which can be interpreted as a reference to Christ's prophesy that the temple will be destroyed, then rebuilt in three days, as Cassiodorus' commentary on the psalm points out:

"In this psalm there is lamentation for the destruction of the city, so that the Jews' extreme hardness of heart should at least feel fear at the disasters to their city. The good Physician has done all he could, if the sick man wished to recover his health. Let us remember, however, that the authority of the Church relates that Jerusalem was ravaged in the days when the most cruel people of the Jews crucified Christ the Lord, so that there can be no doubt what temporal evil that obstinate transgression sustained."

Psalm 74, the second psalm of Matins, takes us to the events of Jesus' arrest.  

The psalm starts its narrative with a reminder that we are God's people, members of his flock, and pleads for God to convert us, to rise up and save us:  above all, for the Messiah to come and 'visit' the 'vineyard' he brought out of Egypt:

9  Víneam de Ægypto transtulísti: * ejecísti Gentes, et plantásti eam.
9 You have brought a vineyard out of Egypt: you have cast out the Gentiles and planted it.
10  Dux itíneris fuísti in conspéctu ejus: * plantásti radíces ejus, et implévit terram.
10 You were the guide of its journey in its sight: you planted the roots thereof, and it filled the land...
15  Deus virtútum, convértere: * réspice de cælo, et vide, et vísita víneam istam.
15 Turn again, O God of hosts, look down from heaven, and see, and visit this vineyard:

The parable of the wicked servants of the owner of the vineyard, who murder first the servants, and then the son of the vineyard owner, points to these verses.  And the allusion is reinforced by the psalm's ending, which takes us to the saving role of the Son, whose name we know, and whose face we have seen:

16  Et pérfice eam, quam plantávit déxtera tua: * et super fílium hóminis, quem confirmásti tibi.
16 And perfect the same which your right hand has planted: and upon the son of man whom you have confirmed for yourself.
18  Fiat manus tua super virum déxteræ tuæ: * et super fílium hóminis quem confirmásti tibi.
18 Let your hand be upon the man of your right hand: and upon the son of man whom you have confirmed for yourself
19  Et non discédimus a te, vivificábis nos: * et nomen tuum invocábimus.
19 And we depart not from you, you shall quicken us: and we will call upon your name.
20  Dómine, Deus virtútum, convérte nos: * et osténde fáciem tuam, et salvi érimus.
20 O Lord God of hosts, convert us and show your face, and we shall be saved

Psalm 77

The key to the day, though, is arguably the festal canticle at Lauds, the Song of Moses, which celebrates the passing of the people through the Red Sea.  

The events of the Passover, and their eucharistic connotations, are alluded to in several of the psalms set for the day, above all in Psalm 77, the second longest psalm of the psalter, which is common to the Roman ferial Office, but doesn't appear in the Triduum Office because it stops after the first nine psalms.

Let me just highlight a few of the key verses for you:

16  Interrúpit mare, et perdúxit eos: * et státuit aquas quasi in utre.
13 He divided the sea and brought them through: and he made the waters to stand as in a vessel.
17  Et dedúxit eos in nube diéi: * et tota nocte in illuminatióne ignis.
14 And he conducted them with a cloud by day: and all the night with a light of fire.
18  Interrúpit petram in erémo: * et adaquávit eos velut in abysso multa.
15 He struck the rock in the wilderness: and gave them to drink, as out of the great deep.

22  Et male locúti sunt de Deo: * dixérunt: Numquid póterit Deus paráre mensam in desérto?
19 And they spoke ill of God: they said: Can God furnish a table in the wilderness?
23  Quóniam percússit petram, et fluxérunt aquæ: * et torréntes inundavérunt.
20 Because he struck the rock, and the waters gushed out, and the streams overflowed.
24  Numquid et panem póterit dare, * aut paráre mensam pópulo suo?
Can he also give bread, or provide a table for his people?
25  Ideo audívit Dóminus, et dístulit: * et ignis accénsus est in Jacob, et ira ascéndit in Israël.
21 Therefore the Lord heard, and was angry: and a fire was kindled against Jacob, and wrath came up against Israel.
26  Quia non credidérunt in Deo: * nec speravérunt in salutári ejus :
22 Because they believed not in God: and trusted not in his salvation.
27  Et mandávit núbibus désuper: * et jánuas cæli apéruit.
23 And he had commanded the clouds from above, and had opened the doors of heaven.
28  Et pluit illis manna ad manducándum: * et panem cæli dedit eis.
24 And had rained down manna upon them to eat, and had given them the bread of heaven.
29  Panem Angelórum manducávit homo, * cibária misit eis in abundántia.
25 Man ate the bread of angels: he sent them provisions in abundance.

May we, unlike those wanderers in the desert, always be grateful for the great gifts God has given us through Christ, as we celebrate the institution of the Eucharist on Maundy Thursday.

Tuesday, April 15, 2025

Holy week and the Benedictine Office pt 2 - The Easter Vigil and the weekly Sunday Resurrection Vigil

Over the next few days, we trace, in the liturgy, Our Lord's final days on earth, and above all, look forward to the Resurrection. But, as I suggested in my previous post, it is worth keeping in mind that the early Christians regularly retraced these events each week.  

The weekly cycle of the life of Our Lord

No where was this more true than in Rome, as Pope Innocent I (401/2 - 417), in a famous letter to Bishop Decentius of Gubbio, advocating for some of Rome's unique liturgical practices, makes clear:

...If in fact we celebrate the Lord's Day because of Our Lord Jesus Christ's resurrection - doing so not only at Easter but each week renewing the image of this feast - and if we fast on Friday because of the Lord's suffering, then we should not omit Saturday which appears to be enclosed between a time of sorrow and a time of joy. in fact, it is evident that during these two days the apostles were in sorrow and hid themselves, doing so because of their fear of the Jews. In any case, there can be no doubt that their fasting during these two days has been remembered to such an extent that, according to the Church's tradition, the sacraments are no celebrated during these two days.  This practice is to be observed each week so that the commemoration of this day be always observed....On Friday the Lord suffered his passion and went to the nether world in order to rise on the third day, thereby restoring joy after the sadness of the preceding two days...Those who rejoiced on the Lord's day, desired not only that this day be very festive, but also that it should be repeated each week...(trans Lawrence J Johnson, worship in the Early Church, vol 3).

The Divine Office also reflects this idea, particularly with the longer, more elaborate Vigil Office, or Matins, of Sunday.

Benedictine vs Roman Sunday Matins

It has long been argued that the Benedictine Office was largely based on the Roman Office.  

When it comes to Sunday Matins, however, the liturgists have long conceded that the more likely influence is the Jerusalem weekly 'Resurrection Vigil' first described by the fourth century Western pilgrim Egeria.

The Roman Sunday Office as it stood in the ninth century, it should be noted, consisted of an invitatory hymn (Ps 94) plus eighteen psalms, nine readings and nine responsories, with no hymns whatsoever.

The sixth century Benedictine Sunday Matins, by contrast, retained its standard form of two invitatory psalms and a hymn; and two nocturns consisting of six psalms each.  But it adds to that an extra Nocturn consisting of three canticles; as well as having four readings and responsories in each nocturn; the Te Deum; a Gospel reading; and the hymn Te decet laus.

There are indeed good reasons for thinking that many of these elements originated in the overnight vigil section of the extremely influential Jerusalem Resurrection Office (which had a set of rotating Resurrection Gospels): the psalms of Saturday Vespers in the Benedictine Office seems to mirror the 'antiphon' of psalms used at Vespers in the Jerusalem office; the use of canticles and the twelve psalm structure of Benedictine Matins are both features of the Jerusalem Office, as is the inclusion of a Gospel reading.

The psalms of Benedictine Sunday Matins

Perhaps the most intriguing feature of Benedictine Matins though, is that St Benedict starts the week at Sunday Matins with Psalm 20, not Psalm 1 as you would expect (and is the Roman practice).

Although most commentators have dismissed this oddity as not having any particular meaning, I want to disagree.

One of the key features of a Vigil is that they typically recapitulate the events leading up to the event being celebrated: at Easter, of course, the Vigil starts with an account of the creation of the world, and works forward through salvation history.

The first three psalms of the Benedictine weekly resurrection Vigil, I want to suggest, are a recapitulation of the Triduum.

In particular, verse 2 of Psalm 20 (see below) says, 'Thou hast given him his heart’s desire'.

The Fathers, using the standard technique of interpreting the psalms in the light of the rest of Scripture, saw this as a reference to Luke 22:15's description of  the Last Supper.  St Augustine for example, commented:

You have given him the desire of his soul: He desired to eat the Passover, (Luke 22:15: And he said to them: With desire I have desired to eat this pasch with you, before I suffer) and to lay down his life when he would...

The Fathers, in other words, interpreted Christ's words as a deliberate quotation of the psalm, and as pointing to its fulfillment in the Last Supper.

Psalm 21, the quintessential suffering servant psalm, takes us to the Passion.

And Psalm 22, The Lord is my shepherd, with its reference to walking in the midst of the shadow of death, and the shepherd leading his flock to bounteous pasture and water, can arguably be interpreted as appropriate to the harrowing of hell on Holy Saturday.

With the fourth psalm of the set we reach the Resurrection, with Psalm 23's 'Lift up your gates, O princes, and be lifted up, O eternal gates: and the King of Glory shall enter in'.

But more on this and some of the other Office connections to the Triduum anon. 

 Psalm 20

Vulgate

Douay-Rheims

In finem. Psalmus David.

Unto the end. A psalm for David.

1 Dómine, in virtúte tua lætábitur rex: * et super salutáre tuum exsultábit veheménter.

In your strength, O Lord, the king shall joy; and in your salvation he shall rejoice exceedingly.

2  Desidérium cordis ejus tribuísti ei: * et voluntáte labiórum ejus non fraudásti eum.

3 You have given him his heart's desire: and have not withholden from him the will of his lips.

3  Quóniam prævenísti eum in benedictiónibus dulcédinis: * posuísti in cápite ejus corónam de lápide pretióso.

4 For you have prevented him with blessings of sweetness: you have set on his head a crown of precious stones.

4  Vitam pétiit a te: * et tribuísti ei longitúdinem diérum in sæculum, et in sæculum sæculi.

5 He asked life of you: and you have given him length of days for ever and ever.

5  Magna est glória ejus in salutári tuo: * glóriam et magnum decórem impónes super eum.

6 His glory is great in your salvation: glory and great beauty shall you lay upon him.

6  Quóniam dabis eum in benedictiónem in sæculum sæculi: * lætificábis eum in gáudio cum vultu tuo.

7 For you shall give him to be a blessing for ever and ever: you shall make him joyful in gladness with your countenance.

7  Quóniam rex sperat in Dómino: * et in misericórdia Altíssimi non commovébitur.

8 For the king hopes in the Lord: and through the mercy of the most High he shall not be moved

8  Inveniátur manus tua ómnibus inimícis tuis: * déxtera tua invéniat omnes, qui te odérunt.

9 Let your hand be found by all your enemies: let your right hand find out all them that hate you.

9  Pones eos ut clíbanum ignis in témpore vultus tui: * Dóminus in ira sua conturbábit eos, et devorábit eos ignis.

10 You shall make them as an oven of fire, in the time of your anger: the Lord shall trouble them in his wrath, and fire shall devour them.

10  Fructum eórum de terra perdes: * et semen eórum a fíliis hóminum.

11 Their fruit shall you destroy from the earth: and their seed from among the children of men.

11  Quóniam declinavérunt in te mala: * cogitavérunt consília, quæ non potuérunt stabilíre.

12 For they have intended evils against you: they have devised counsels which they have not been able to establish.

12  Quóniam pones eos dorsum: * in relíquiis tuis præparábis vultum eórum.

13 For you shall make them turn their back: in your remnants you shall prepare their face.

13  Exaltáre, Dómine, in virtúte tua: * cantábimus et psallémus virtútes tuas.

14 Be exalted, O Lord, in your own strength: we will sing and praise your power.


Thursday, April 2, 2020

Praying the psalms with St Benedict 8 - Approaches to interpreting the psalms**

In the last post in this series on praying the psalms with St Benedict, I suggested that the key focus of St Benedict in his Office as in the Rule, is the period of preparation for Easter: the monk 's life is essentially a perpetual Lent.

Rather than assuming we already incapable of sin, and can immediately imitate the angels, as some contemporary schools of monastic thought proposed, St Benedict emphasised the process of our gradual transformation through grace.

And he presents, I think, the psalms as a means to that end.

The psalms as a means to spiritual progress

One of the most intriguing Patristic discussions on the use of the psalms as a means of spiritual progress comes in St Basil the Great's brother, St Gregory of Nyssa's treatise on the psalm titles, or inscriptions. [1]

St Gregory argues that mankind was once truly part of the angelic chorus ever praising God, but through the Fall, was expelled from it.  But we can be lead by the psalms, to progress in the spiritual life through five stages, that open ourselves to resonate to the music of the universe, and can thus rejoin to the heavenly choir, and thus defeat evil and gain the blessings promised to us by God:
The divine book of the psalms wonderfully shows us the way [to blessedness] by a systematic, natural order presenting the various means for man to attain blessedness both by a simplicity which is evident and a teaching which is plain...The psalms' sublime teaching points out to us a way to blessedness which constantly leads persons progressing in the exalted life of virtue until they attain that measure of blessedness where the mind subjects transcendental reality neither to circumstantial evidence nor to opinions... 
The first words of the [first] psalm are a gate or entrance into blessedness and open up to us the destruction of evil...When all creation above and below will join to form one dance, the pleasant sound from our symphony will complete what has been sundered, for sin now divides the spiritual creation which resembles a cymbal. When our humanity will be united to the angels and when the divine battle-order lifts it out of the present turmoil, it will sing a victorious song of triumph at the bloody defeat of the enemy.  [2] 
A beginners rule

St Benedict claims his Rule is one for beginners, sinners motivated at first by fear of hell, who need time to cultivate good habits, and hopefully eventually arrive at that happy where all is done for love of God. [3]

Each day in the Benedictine Office, for example, we are reminded of that period of preparation for entering the Promised Land, and invited to apply that typology to ourselves and our community in the forty psalms said each day, and in the verses of the invitatory Psalm 94.

But perhaps the most important way, I want to suggest, that St Benedict teaches us how to 'progress in the monastic life and in faith' (Prologue to the Rule) is, I think the programmatic aspects of the weekly psalm cycle.

Notes

[1] Gregory of Nyssa, On the Inscriptions on the Psalms,  Casimir McCanbley (trans), Hellenic College Press trans, 1995.

[2] ibid, Part I, 3, 12.

[3] See especially the Prologue, RB 4, RB 7, RB 73.

Saturday, March 28, 2020

Praying the psalms with St Benedict/7 - Time and the Work of God

So far in this series I've looked briefly at some of the key purposes of the Office - purgation and penance; adoration and intercession.

In the next section of the series, I plan to focus in on the seven day cycles - around creation, salvation history, the life of Christ and that of our own spiritual development (among others) that I think are embedded within the Office through the psalm cursus.

The sanctification of time

Before we do that, though, by way of bridge, I want to look at one more dimension of the Office, namely the relationship between the Office and time.

The Divine Office is, by its nature, deeply connected with the idea of the sanctification of time.

Some of the connections in the Benedictine version of the Office are reasonably obvious. The spacing of the hours through the day, for example, gave it an equivalent to one of the old watches (of three hours), as well as a Trinitarian meaning attested to by St Cyprian. [1]  Similarly, the use of twelve psalms (one for each hour) mirrors the number of hours of the day and night, that is Prime to None, and Matins. [2]

Some perhaps are a little less obvious - the use of seven psalms in the twilight hours (Lauds, Vespers+Compline) to symbolise completeness, for example.

But there is one aspect of the sanctification of time that I have not seen explored in the literature, and which I think is perhaps best understood by consideration of the three alternative Office models I've been looking at from the first half of the sixth century, and that is the way that different forms of the Office focus those singing or hearing it on different points in salvation history.

Different forms of the Office, I want to suggest, can reflect very different conceptions of sacred time, which in turn reflect different conceptions of the exactly the 'Work' of the Office is intended to accomplish.

Sacred time and the liturgy

The Office, of course, as liturgy, connects us to the liturgy of heaven: we pray, at the very least, 'in the presence of the angels' (Psalm 137); more, we are joined through it to the angelic choir. [3]

But that is not the same thing as connecting us to the eternity of God, whose eternity stands outside of time and space.

Instead, as creatures, whether in heaven or on earth, our prayers have a before and after, and thus a temporal dimension.

In heaven - at least before the coming of the new heaven and earth - the progress of that time may be different to that we experience on earth.  Without bodies, after all, and the needs associated with them, we may indeed gain the ability to literally pray without ceasing!

But for us here on earth, our progress through time is reflected in the Office in the temporal and sanctoral calendars of the year; in the 'hours' of the Office each day; and in the cycle the hours repeat over.

Agaune's perpetual liturgy and making heaven visible

Consider for example the case of Agaune's perpetual liturgy.

St Alexander the Sleepless, we saw earlier in this series, in the first half of the fifth century, developed a form of the liturgy which almost certainly either directly inspired, or was outright copied by Agaune in the early sixth century, inspired by the model of God's ordering of creation into the twelve hours of day and night.

But St Alexander also seems to have had in mind imitation of the perpetual liturgy of the angels, an idea which fit well with Agaune's history as a shrine of soldier-saints, the martyrs of the Theban legion, whose legend depicted soldiers who refused (an immoral order) to fight, soldiers who laid down their arms and allowed themselves to be slaughtered rather than turn on, as the Emperor ordered, their fellow Christians. By this action, so the early fifth century version of their legend asserted, they were transformed into members of the heavenly choir: “Thus", says Eucherius of Lyon, "that whole angelic legion was murdered, which now, we believe, joins with legions of angels in heaven in always praising together the Lord God Sabaoth.” [4]

And it was this choir to which the earthly members of the monastery were portrayed as literally being members of, transported effectively to heaven now, to that time after the descent of the new Jerusalem described in Revelations, or at least so the early literature surrounding the monastery asserted. St Gregory of Tours, for example, told the story of an Agaune monk who died very young before he could make profession, to the great distress of his mother, who then spent her days weeping in the Church.  Happily, St Maurice appeared to her and assured her that her son was still part of the chorus made up not just of the still living monks, but the dead among their number as well as the Theban legion itself.  To prove this, he invited her to return the next morning at Lauds, and every subsequent day that she so desired for the rest of her life, so that she could hear his voice joining that of the other (still living) monks. [5]

The sermon given by Bishop Avitus of Vienne for the dedication of the new basilica on September 22, 515 similarly made considerable play on the idea of the monks as livers of the angelic life, since, he claimed, they had no possibility of committing any sins, for all their time was consumed now with the work of heaven:
..but when it has come to the present psalmody…you have surpassed even your own works.  For…that glorious custom has been instituted, in which the Christian always pours forth sound, Christ is always present, the onlooker is always heard, the hearer always seen.  You who are about to dwell here…labour in this world invites to the hope of perpetual rest, and all the time for sinning is cut off from those occupied in happy action...May death renew rather than end this action [6]
His sermon also invoked the imagery, as I have previously noted, that seems to me to be an allusion to the description of the New Jerusalem that will descend after the last judgment in Apocalypse 21, a jewel encrusted city in which there is no night:

Whose entry is not shut at night, because it has no night, whose doors are always wide open to the just, but inaccessible to the impious…Christ is its foundation, faith its frame, a wall its crown, a pearl its gates, gold its street, a lamb its light, its chorus the church [7]

Agaune's Office, with a psalm cursus that almost certainly repeated each day, rather than carrying over several as most other Offices did, was surely meant to signal this new age, this eighth day fully realised.

The nuns of Arles and the accumulation of merit

If Agaune and its Office attempted to anticipate the blessed life to come, the life that will come after the Second Coming, the Rule of Caesarius of Arles, I would suggest, portrays his nuns as living a step back in salvation time from that.

In particular, his Rule focuses above all on waiting for the Second Coming and judgment, the time of the coming of the bridegroom to the wedding feast.

Watchers for the second coming

In the Rule, St Caesarius tells his nuns to pray assiduously for the coming of the Son, and to be watchers for it, quoting St Luke:
Watch ye, therefore, praying at all times, that you may be accounted worthy to escape all these things that are to come, and to stand before the Son of man.  [8]
The nuns then, unlike the monks of Agaune, are not yet living the angelic life, bur rather are looking out in this world, for the signs of Christ's return.

In fact the key image he invokes throughout the rule is that of the wise and foolish virgins in the parable of the bridegroom, who are drowsing while waiting, prepared or otherwise, for the coming of bridegroom; with the wise preparing by cultivating the oil of good works. [9] Indeed the image of the drowsing virgin must have been particularly close to their hearts given the long hours they spent in vigils in the church, for St John of Arles employed a model where the number of psalms said in the Night Office lengthened and shortened with the seasons as the length of time of darkness changed.

An Easter people!

But there is also some important symbolism, I think, in the fact that Caesarius barely mentions Lent (beyond a brief reference to fasting rules) or repentance at all in his Rule; instead he provides a symbolic starting point for the Office, not with Matins and Lauds, as St Benedict does, but rather Terce of Easter Day. [10]

St Benedict, in chapter 8 of the Rule, insisted on Lauds each day being timed to start at daybreak, symbolically the time of the rising of Christ.

Caesarius, however, in chapter 66 of the Rule for Nuns, jumps forward two hours, over Lauds and Prime, and starts the whole of his discussion of the Office from the third hour of Easter Day, linking it to the literal completion of three days after the crucifixion, not least through the particular hymn he specified be used at it, Iam surgit hora tertia, which provides a nice counter to the image of the drowsing virgins fighting off sleep as they keep their vigil:
This hour at which He ends our time Of stupor from that first bad crime, Destroys the world's guilt with His blood; Washed out death's kingdom with its flood…[11]
Terce on ‘the third day’ (after Good Friday), in other words, completes the work of redemption, and inaugurates the ‘third age’ of grace in St Augustine’s schema of before the law/under the law/under grace in which we are now living.

But Easter Day is just the start of the liturgical year in this description of the Office: it is the eschatologically charged season of Epiphany, the showing out of Christ to the gentiles, that is its end.  And these two key seasons are linked by a series of all-night vigils each Friday from Easter to Pentecost, and again in the lead up to Epiphany; Vigils which start from ‘third hour of the night’. [12]

The task of the nun, then, is to accumulate grace  - that good oil - through her prayer and vigils, which can then be applied not only to herself but to others, stretching out to aid the conversion of the world.

St Benedict's Lenten monk

St Benedict's Rule, I want to suggest, takes us back another step in salvation time, to Lent.

Lent barely rates a mention in the Rule of Caesarius, and then only in relation to fasting, not the liturgy proper. [13]

In the Benedictine Rule, by contrast, Lent is the only liturgical season mentioned by name, and the saint explicitly tells us that the life of a monk should always be Lenten in nature. [14]

St Benedict reinforces this, I think, by starting his liturgical prescriptions not with the bright light of the festive celebration of the risen Lord, but rather with a discussion of the hour for rising in the dark in the long nights of his winter season (November to Easter). [15]

His focus is on monks still unreformed, yet to open their eyes to the ‘deifying light’; asking still for  'our lives to be lengthened and a respite allowed...that we may amend our evil ways' (Prologue), for far from living the angelic life themselves, monks need to be wary because that their actions are constantly being scrutinized and reported to God by the angels. [16]

There are no all night Vigils in St Benedict's Office, and his priority is clearly not Matins, whose readings can be cut if necessary, but rather Lauds, which he makes a daily celebration of the Resurrection (symbolized by the rising of the Son/sun).  

The rising

Instead, in St Benedict's theology, the imagery of the Resurrection as the pattern for the monk is not just the starting point, but the dominating theme: in the Prologue, he urges, ‘Exsurgamus ergo’ (let us therefore arise); in chapter 7 he argues that we ascend to heaven through humility.

In the liturgy he parallels these ideas by starting the Night Office with Psalm 3, which is usually interpreted, in Patristic texts, as speaking of the Resurrection (Ego dormivi…), through the use of the ‘psalms of ascent’. 

Above all, each week the Office starts again from Sunday, with its three Nocturn Matins in particular a celebration of the Resurrection.

To fear the day of judgment...

St Benedict’s Rule, does, it is true, allude to the common monastic meme of acting as watchers for the Second Coming in their Night Vigils.

His discussion of sleeping arrangements for the monks in RB 22, for example, is actually mainly about ensuring their readiness for the Night Office, and in doing so paraphrases the instructions of Luke 12:

A lamp shall burn constantly in the cell until morning. Let them sleep clothed and girded with cinctures or cords…Being thus always ready…’ [17]

And awareness of the coming judgment is certainly a key theme of the Rule.

But it is a day to be feared (RB 4), rather perhaps than prayed for, lest our process of reform be incomplete.

Indeed, I started this series pointing to the connection between Lent and the forty psalms said in the Benedictine Office each day, and our necessary preparation for entering heaven.  It is instructive, I think, to read Caesarius of Arles' explanation of the significance of forty in a sermon on David and Goliath, which interprets it to mean our entire earthly life:
The children of Israel faced their enemies for forty days. These forty days, by reason of the four seasons of the year, and of the four continents of the globe, are a figure of this present life, during which the Christian world does not cease to be arrayed in battle against the devil and his angels, as it were against Goliath and the army of the Philistines. [18]
And it is to emphasize this process of reform, that the Benedictine psalm cursus, I want to suggest, traces the path of creation, salvation and redemption history from its beginning, and towards its ultimate destiny each week, encouraging us to reform ourselves, with the aid of grade, in line with it.

But more on that in the next post.


Notes

[1] St Cyprian, Treatise 4, On Prayer: "And in discharging the duties of prayer, we find that the three children with Daniel, being strong in faith and victorious in captivity, observed the third, sixth, and ninth hour, as it were, for a sacrament of the Trinity, which in the last times had to be manifested. For both the first hour in its progress to the third shows forth the consummated number of the Trinity, and also the fourth proceeding to the sixth declares another Trinity; and when from the seventh the ninth is completed, the perfect Trinity is numbered every three hours, which spaces of hours the worshippers of God in time past having spiritually decided on, made use of for determined and lawful times for prayer."

[2] St Benedict directs our attention to the number of psalms said at the various hours in his chapter headings to chapter 9 (Quanti psalmi dicendi sunt nocturnis horis) and 17 (Quot psalmi per easdem horas dicendi sunt) and the discussion in these chapters.  Chapter 17 in particular effectively provides three groupings of hours: Matins and Lauds; Prime to None; Vespers and Compline.  Unfortunately he does not discuss the rationale for the various numbers of psalms, assuming, presumably, that the reader would already be familiar with the discussions of the topic to be foound in the earlier literature such as Cassian, Cyprian and Basil.

[3] RB 19: Ubique credimus divinam esse praesentiam et oculos Domini in omni loco speculari bonos et malos, [2] maxime tamen hoc sine aliqua dubitatione credamus cum ad opus divinum assistimus. [3] Ideo semper memores simus quod ait propheta: Servite Domino in timore, [4] et iterum: Psallite sapienter, [5] et: In conspectu angelorum psallam tibi.

[4] Eucherius of Lyons, The Passion of the Martyrs of Agaune (translation in the appendix of Tim Vivian, Kim Vivian and Jeffrey Russell trans, The Life of the Jura Fathers The Life of the Holy Fathers Romanus, Lupicinus , and Eugendus, Abbots of the Monasteries in the Jura Mountains...,  Cistercian Studies Series no 178, Cistercian Publications, Kalamazoo, 1999,  Studies Series 178); for the latin text see Passio Acaunensium martyrum, BHL-5737.

[5] Gregory of Tours, Liber in gloria martyrum, ed. B. Krusch, MGH SRM 1.2: Gregorii Turonensis Opera. Teil 2: Miracula et opera minora. Editio nova lucisope expressa (Hanover, 1885), pp. 34–111 (at c. 74-75). Trans Raymond van Dam, LUP, 1988, pp 69-71

[6] Danuta Shanzer and Ian Wood (ed and trans), Avitus of Vienne: Letters and Selected Prose, LUP, 2002.

[7] ibid.

[8] RC 21

[9] See especially RC 1, 63.

[10] RC 66

[11] For techniques to stay awake during the Night vigils, see RC 15; the Latin of the hymn can be found here and a translation of the hymn here.

[12] RC 68

[13] RC 71.

[14] RB15, 48.

[15] RB 8

[16] RB 7

[17] (RB 22)

[18] Caesarius of Arles, Sermon,

Friday, March 27, 2020

Praying the psalms with St Benedict 6C - The intercessory components of the Office

In the last two posts in this series I have argued from contextual material that at least in the three groups of monasteries considered here (Agaune, Arles and those of St Benedict) the whole Office was viewed as intercessory in character, given for the salvation of the whole world, and most particularly to those closest to the religious - including their fellow religious, family, friends, benefactors and wider community - in late antiquity.

Later periods would add specific prayers and psalms to the Office: these, I would suggest, simply made explicit and specific what had always been implicit, rather than representing a fundamental change in the orientation of monastic life: the key difference, perhaps was that the interests of Church and State were more obviously firmly aligned from the early middle ages onwards.

But even in late antiquity there were already a number of specific features of the Office that would have signalled its intercessory intent to those who said and heard it.

The angelic salutation

I have previously pointed to the use of the angelic salutation from St Luke 2:12 (Glory to God in the highest; peace and good will to men on earth) in the liturgy of the Sleepless monks. If we assume that Agaune's liturgy was either directly or indirectly influenced by that of the Sleepless monks, as suggested earlier in the series, it probably did include explicit intercessory components.

In particular, the liturgy of the Sleepless Monks, according to the late fifth century life of St Alexander Aketemoi, raised petitions to God on behalf of their fellow Christians by singing the angelic salutation and making seventy-seven genuflections each day. [1] It is worth noting that this canticle was also used in the Office of Arles, at Lauds on Sundays. [2]

The Pater Noster

The use of the Our Father (Pater Noster) at each hour of the Benedictine Office may have been intended to play a similar function. [3]

St Benedict specifically gives the abbot's recitation of the prayer aloud at Lauds and Vespers an interpretation directed at the internal operation of the monastery:
The purpose of this is the removal of those thorns of scandal, or mutual offence, which are wont to arise in communities.  For, being warned by the covenant which they make in that prayer, when they say Forgive us as we forgive, the brethren will cleanse their souls of such faults. [4] 
This sevenfold recitation of the prayer each day, then, echoes the same Scriptural injunction to forgive others seventy times seven claimed for St Alexander's use of the angelic salutation and genuflection, albeit within the community rather than more broadly.

 But St Benedict surely also had in mind the broader interpretation of the prayer as well, since it was at the core of virtually every patristic exposition on prayer. In particular, its opening petition – thy kingdom come – surely perfectly expresses what the religious is meant to pray for. Caesarius of Arles, for example, instructed his nuns:

That, with the help of God, you may be able to keep them as you abide unceasingly in your monastery cell, implore by assiduous prayer [assiduis orationibus] the visitation of the Son of God…[5]

St Benedict would surely have found this perfectly in tune with his own take on the prayer, not least since his favourite Church Father, Cyprian makes it clear that the reference to Our Father is a reminder that the prayer is intended to be collective, made on behalf of all Christians:

Before all things, the Teacher of peace and the Master of unity would not have prayer to be made singly and individually, as for one who prays to pray for himself alone. For we say not My Father, which art in heaven, nor Give me this day my daily bread; nor does each one ask that only his own debt should be forgiven him; nor does he request for himself alone that he may not be led into temptation, and delivered from evil. Our prayer is public and common; and when we pray, we pray not for one, but for the whole people, because we the whole people are one. [6]

Capitella, litanies and collects

I also noted earlier that the Arles Office included 'capitella', psalm verses collected together to cover particular intentions.

St Benedict doesn't include either collects (perhaps because of his Office's lay character) or capitella, but he does include the short litany 'Lord have mercy; Christ have mercy; Lord have mercy' as a conclusion to each hour. [7]

Towards heaven

The clearest signal (at least to Patristic eyes) of the intercessory nature of St Benedict’s Office though, is arguably embedded in number symbolism, programmed into its fundamental design.  

Modern eyes tend to be oblivious to the symbolism of the numbers included in Scripture and the liturgy.  Patristic writers, however, all saw deep meaning in the numbers mentioned in Scripture, and St Augustine in particular devoted extensive exegesis to it.

That St Benedict put considerable stock on this symbolism is suggested in the Rule and Office both explicitly, for example in his allusion to the 'sacred number seven' in his discussion of the number of day hours; and implicitly, for example in his discussion of the core of his spiritual theology in the first seven chapters of the Rule, and then description of the Office in the next twelve. [8]  

At the start of this series  I discussed one piece of symbolism employed by St Benedict, in the forty psalms said each day in the Office, a number that can be seen as symbolising our preparation for entering heaven.

A second important piece of number symbolism that I want to touch briefly on here is that associated with his insistence on saying all 150 psalms each week. [9]

Variable and fixed numbers of psalms in the Office

Although, as we saw earlier in the series, Cassian had insisted that the proper form of the monastic Office involved a fixed number of psalms each day (viz twelve at Vespers and Matins, and three at the little hours), in reality the more common form of the early Office, at least in the West, did not necessarily say the same number of psalms each day throughout the year.

Instead, the length of the Night office in particular varied with the seasons, and the number at the day hours could differ on Sundays and feasts.  The Office described by St Augustine's Rule (which may have reflected the practice of Rome in his time) took this form, as did that of Arles, that of the Master, and the Roman secular office described in the Liber Diurnis and used by suburbican bishops and in the tituli. [10] The logical consequence of the variable psalmody model was of course that the entire psalter was not said within any fixed period of time in the Office itself (though it may have been in private recitation).

It is unclear whether the Office Cassian advocated involved saying all of the psalms in the context of the Office itself in a particular period: the Egyptian and Palestinian Offices he described more likely used only a fixed selection of psalms said each day, with the remainder being said privately by the monk in his cell. [11]

In contrast, St Benedict's Rule (which may or may not reflect a recent contemporaneous change in the Roman basilican Office) provides us with the first documented insistence that all the psalms be said within a particular time period, viz a week. [12]

The sacred number 150

Patristic era writers supply several several explanations for the significance of the number of psalms, a favourite being it representing the Old creation/covenant (ie the seven days of creation) plus the eighth day of the New, and the link to the fifteen steps of the inner temple, which in turn symbolised the ascent to heaven in the corresponding Gradual Psalms. 

St Augustine, for example, specifically christened 150 as sacred, by dint of the number of psalms. In his commentary on the '70 or 80 years of life' to which man can aspire (on Psalm 89), he drew a number of important connections:
Moreover, seventy and eighty years equal a hundred and fifty; a number which the Psalms clearly insinuate to be a sacred one. One hundred and fifty have the same relative signification as fifteen, the latter number being composed of seven and eight together: the first of which points to the Old Testament through the observation of the Sabbath; the latter to the New, referring to the resurrection of our Lord. Hence the fifteen steps in the Temple. Hence in the Psalms, fifteen songs of degrees. Hence the waters of the deluge overtopped the highest mountains by fifteen cubits: and many other instances of the same nature. [13]
But it is probably significant that it is one of St Benedict’s contemporaries, Cassiodorus, who expands on the link St Augustine made between the number of psalms and the Great Flood:

."..we have observed that through the Lord's generosity the earth was cleansed of its sins after one hundred and fifty days, when the flood covered the earth.  So the spiritual depth of the psalms with their perennial cleansing purifies the hearts of men until Judgment Day; and from this we experience a saving flood which washes clean our minds befouled with sins." [14]

The monk’s daily and weekly ‘pensum’ of psalms then, can be seen as penance done on behalf of the people to purge them of their sins, so that, as Psalm 94 daily reminded the monk, all might hear and respond to God’s call, and thus enter the promised land of heaven.

And perhaps there is another implicit link which I will come back to in due course, in the spreading of the psalms over seven days, to the idea best articulated by St John Chrysostom and recently highlighted by Benedict Anderson, that the liturgy is about effecting the repair of creation, damaged by the Fall. [15]

And you can find the next post in this series here.

Notes

[1] Daniel Caner's Wandering, Begging Monks: Spiritual Authority and the Promotion of Monasticism in Late Antiquity, University of California Press, 2002, pp 267.


[2] (RC 69).

[3] RB 13 12-14 - Plane agenda matutina vel vespertina non transeat aliquando, nisi in ultimo per ordinem oratio dominica, omnibus audientibus, dicatur a priore..., [14] Ceteris vero agendis, ultima pars eius orationis dicatur, ut ab omnibus respondeatur: Sed libera nos a malo.

[4] Propter scandalorum spinas quae oriri solent, [13] ut conventi per ipsius orationis sponsionem qua dicunt: Dimitte nobis sicut et nos dimittimus, purgent se ab huiusmodi vitio. 

[5] RC 1: Ch 1, trans McCarthy, in La Corte and McMillan ed Regular Life, Monastic, Canonical and Mendicant Rules, pp 58-9).

[6]  Cyprian, Treatise IV, Robert Ernest Wallis (trans), Ante-Nicene Fathers, Vol. 5. Edited by Alexander Roberts, James Donaldson, and A. Cleveland Coxe. (Buffalo, NY: Christian Literature Publishing Co., 1886.

[7] RB 9: [10] Post hos, lectio apostoli sequatur, ex corde recitanda, et versus, et supplicatio litaniae, id est Kyrie eleison.   Similarly, see RB 12, 13, 17.

[8] Due to their reflection of the pattern of creation, both seven and twelve were interpreted as meaning completeness, fulfillment or universality, with twelve having a governmental connotation (due tothe twelve tribes of Israel/number of apostles, etc).  The start of the Office material in chpater 8 is symbolically important too, given its association with the eighth day and thus ushering in of the era of the new creation: and St Benedict reinforces the importance of the number by having his monks rise at the eighth hour of the night, and concluding the chapter with a reference to Lauds, which he makes an explicit celebration of the Resurrection each day.

[9] RB 18:[22] Hoc praecipue commonentes ut, si cui forte haec distributio psalmorum displicuerit, ordinet si melius aliter iudicaverit, [23] dum omnimodis id adtendat ut omni hebdomada psalterium ex integro numero centum quinquaginta psalmorum psallantur, et dominico die semper a caput reprehendatur ad vigilias. [24] Quia nimis inertem devotionis suae servitium ostendunt monachi qui minus a psalterio cum canticis consuetudinariis per septimanae circulum psallunt, [25] dum quando legamus sanctos patres nostros uno die hoc strenue implesse, quod nos tepidi utinam septimana integra persolvamus.

[10] Augustine's, Ordo Monasterii gives a number of psalms for the Night Office that varies between 12, 15 and 18 psalms; the Rule of the Master specifies 12 to 16; the Cautio Episcopi (in the Liber Diurnis), 3 or 4 on weekdays, and nine on Sundays.

[11] For a discussion of the evidence see Armand Veilleux, La Liturgie Dans Le Cenobitisme Pachomien Au Quatrieme Siecle,  (Studia Anselmiana 57); Herder, Rome 1968 and Stig Simeon R. Frøyshov, The Cathedral–Monastic Distinction Revisited Part I: Was Egyptian Desert Liturgy a Pure Monastic Office?, Studia Liturgica 37 (2007), 198-216.

[12]  The liturgist's case for a shift to a fixed weekly psalm cursus of the Roman prior to St Benedict (rather than being a product of St Gregory's revamp) largely hangs on the claim that the 'de psalmiis' responsories, a set of psalm based responsories used in Epiphanytide, were selected to reflect the psalms used each day of the week at Matins, and were originally used throughout the year.  However, as the earliest evidence for the set dates from the seventh century (and the earliest listing of them as a set from the eighth), the strength of the case must be assessed as thin at the best.  But thisis a topic on which I plan t write more elsewhere!

[13] St Augustine's commentary on Psalm 89.  See also St Gregory the Great on Job chapter 35: "For by the number seven he expressed the present time, ‘which is passed by periods of seven days. But by the number ‘eight’ he designated eternal life, which the Lord made known to us by His resurrection...Hence it is, that the Temple is ascended with fifteen steps, in order that it may be learned by its very ascent that by seven and eight our worldly doings may be carefully discharged, and an eternal dwelling may be providently sought for. Hence also it is that, by increasing a unit to ten, the Prophet uttered a hundred and fifty Psalms."

[14]  Cassiodorus, commentary on Psalm 150, P. G. Walsh (trans), Explanations of the Psalms, vol 3, Ancient Christian Writers Series, Paulist Press, 1991, pp 466.

[15] Benedict Anderson, Et erant semper in templo: The Divine Office as Priestly Temple Service,  paper was originally delivered at the Fota XI International Liturgical Conference, July 7-9, 2018.