Psalm 3: Five reasons why St Benedict uses it as a daily invitatory

Psalm 3 is the first psalm said each day in the Benedictine Office, opening the hour of Matins (Vigils), said in the dark early hours of the morning.  In this post, I want to summarise some possible reasons why St Benedict made it one of the daily psalms of his Office.

Psalm 3: Domine, quid multiplicati sunt

Vulgate	Douay-Rheims
Psalmus David, cum fugeret a facie Absalom filii sui.	The psalm of David when he fled from the face of his son Absalom.
2 Dómine quid multiplicáti sunt qui tríbulant me? * multi insúrgunt advérsum me.	Why, O Lord, are they multiplied that afflict me? many are they who rise up against me.
3  Multi dicunt ánimæ meæ: * Non est salus ipsi in Deo ejus.	Many say to my soul: There is no salvation for him in his God.
4  Tu autem, Dómine, suscéptor meus es, * glória mea, et exáltans caput meum.	But thou, O Lord art my protector, my glory, and the lifter up of my head.
5  Voce mea ad Dóminum clamávi: * et exaudívit me de monte sancto suo.	I have cried to the Lord with my voice: and he hath heard me from his holy hill.
6  Ego dormívi, et soporátus sum: * et exsurréxi, quia Dóminus suscépit me.	I have slept and taken my rest: and I have risen up, because the Lord hath protected me
7  Non timébo míllia pópuli circumdántis me: * exsúrge, Dómine, salvum me fac, Deus meus.	I will not fear thousands of the people, surrounding me: arise, O Lord; save me, O my God.
8  Quóniam tu percussísti omnes adversántes mihi sine causa: * dentes peccatórum contrivísti.	For thou hast struck all them who are my adversaries without cause: thou hast broken the teeth of sinners.
9  Dómini est salus: * et super pópulum tuum benedíctio tua.	Salvation is of the Lord: and thy blessing is upon thy people.

Psalm 3 arguably encapsulates five key aspects of St Benedict's spirituality.

1. Remembering the physical world: St Benedict seems, in his Rule, to enjoy finding ways in which to carry out quite literally the injunctions of the psalms while pointing to the underlying spiritual meaning of doing so.  'Seven times a day have I given praise to you' is translated quite literally, for example into seven hours to be prayed during the day, while 'at midnight I rose to give praise to thee' justifies Matins (RB16). 

One of the key reasons for the selection of this psalm as the first for Matins then, must surely lie in the words of verse 3, for in the early hours of the morning, well before dawn, the monk or nun can truly say with the psalmist, 'I have slept and taken my rest, and I have risen up because the Lord has protected me'.

The verse though, also has a Christological interpretation, indeed, the oldest surviving Patristic reference to Psalm 3, from St Clement of Rome (c96) states that the verse alludes to Our Lord's death and Resurrection.  Indeed, an early tradition is that the first three psalms of the psalter are about, respectively, the life (Psalm 1), death (Psalm 2) and Resurrection of Christ (Psalm 3).  And of course, the Fathers urge us to apply its message to ourselves as well: we must trust that God will protect us so we rise up, both each day now, and at the last, with him.    

2. The spiritual warfare: The idea that we must wage spiritual warfare against our enemies with the help of God resonates throughout the St Benedict's Rule.  Indeed, in the very opening lines of the Prologue he urges us to renounce our own will, in order  'to fight for the true King, Christ', and take up the 'strong and glorious weapons' of obedience.

The psalm, particularly in verses 1 and 7, makes it clear that we cannot expect the spiritual life to be easy: rather, it is a battle.  We must struggle daily with enemies ranged around us, such as discouragement and temptation. 

3.  Why does God often seem so slow to act?:  This psalm opens by asking why God allows us to be surrounded by our enemies (verse 1), and also asks why the good often seem so badly outnumbered (verse 7).  The challenge posed by a God who often seems to sit back, allowing sinners to flourish while oppressing the good (verse 2) is also a key theme of the psalms the saint places at Prime each day.  Why then does God seem to hold back?  

The issue seems to have been a particular preoccupation for St Benedict, reflected not least in his choice of the psalms set for Prime.  

This psalm doesn't directly answer the question, but in the Prologue to the Rule the saint does suggest one key reason, namely to give us - and those mired in evil - time to repent that we might yet be saved:

"And the days of our life are lengthened and a respite allowed us for this very reason, that we may amend our evil ways. For the Apostle saith: Knowest thou not that the patience of God inviteth thee to repentance? For the merciful Lord saith: I will not the death of a sinner, but that he should be converted and live."

4.  Ask God for help: Another reason for God's delay is suggested by Verse 7 of the psalm, which introduces some key motifs or memes in the Benedictine Office, often used in antiphons and elsewhere, in the words 'exsúrge, Dómine/salvum me fac, Deus meus' (or  'Arise Lord, save me my God). The point is that although God always calls to our hearts, he also gives us free will, and part of that gift is that we must actively ask for his help to ensure, and to perfect what we do.

St Benedict seems to have had some particular attachment to these sentiments for he deliberately splits psalms in two, even across days in order to arrange for these two phrases (or slight variants thereof) to be used as incipits twice on Wednesday: firstly at Matins (Psalm 67/68) and again at Prime (Psalm 9 pt 2/Psalm 11).

5.  Trust in God:  Finally, closely linked to the requirement that we actively ask for God's help is the deep sense of trust in God to make everything come out right, and help us win the race that we must cultivate.  Verse 4 of the Psalm alludes to God as the one who is our sustainer or protector (susceptor), who lifts us up.  In many respects the themes of the psalm, and this verse in particular, echo the stanza of Psalm 118 that surround the Suscipe verse that is used as part of the monastic profession ceremony.

Indeed, the idea of God as our 'susceptor' has an important theology behind it.  St Augustine's take on the word points to the analogy of the Roman paterfamilias, who 'received' (acknowledged) his child, thus saving it from the fate of exposure.  He also explains it as a word used to mean a powerful man who takes up the cause of someone, or a doctor or lawyer accepting a case.   When God becomes our susceptor, in other words, he acts as a Father or powerful protector of us, someone who has taken our cause on as his own, and will work to sustain, help and heal us.  The monastic commentator Cassian (c. 360 – 435) took the discussion of its meaning a step further, for in Chapter 17 of his Conference 13 he discusses God's intervention in various types of vocation:

"Hence it comes in our prayers we proclaim God as not only protector and Saviour, but actually as our Helper and Sponsor [adjuitorem et susceptorem] for whereas He first calls us to him, and while we are ignorant and unwilling, draws us towards salvation, he is our Protector and Saviour, but whereas when we are already striving, He is want to bring us help, and to receive and defend those who fly to Him for refuge, He is our Sponsor and Refuge.' "

St Benedict's contemporary Cassiodorus' commentary on the verse puts more emphasis on the idea of God as our ongoing sustainer, particularly in the ennoblement of the flesh through grace made possible through the Incarnation:

"Sustainer, that is, of the form of slave, since the taking up of human nature is the Word made flesh. So it is the flesh which speaks of its glory and the lifting up of its head, for the all-powerful Word assumed it so that the divine and human substance might be one Person without any admixture. This verse is relevant too to the confounding of the Pelagians, who believe that man can by his own efforts achieve something good; for who, pray, could be self-sufficient for performing good without abundance of divine grace? It is through grace by which it is united to God that human nature has taken its place at the Father's right hand."

Throughout the psalm there is a clear message: if we but put our trust in God and cry out to him with strength, he will destroy our enemies, be they of the world, the flesh and the devil.  

Verse by verse notes on the psalm

I've previously provided more detailed notes on Psalm 3 which you can find as follows:

Introduction to Psalm 3
Psalm 3:v1
Psalm 3:v2
Psalm 3:v3
Psalm 3:v4
Psalm 3:v5
Psalm 3:v6
Psalm 3:v7 
Psalm 3:v8

I also provided some crib notes on the Latin:
Notes on Psalm 3 grammar and vocab Pt 1
Notes on Latin of Psalm 3 Pt 2
Notes on the Latin of Psalm 3, Pt 3

Alternatively, you can jump straight to the introduction to the next psalm in this series, Psalm 94.

Masterpost: The daily psalms of the Benedictine Office

St Benedict, in his Rule, makes it clear that he wanted all of the psalms to be said every week by his monks.  The vast majority of the psalms are, of course, said but once each week.  

A select few, however, are given a more privileged place in his Office, and it is at some of those that I propose to take a look at over the next few weeks.

This post will provide something of an overview; I will then look go back and take a more detailed look at each of them (skipping fairly quickly past those I've previously discussed in detail).  

I plan to get through those for Matins and Lauds over May and June.  At that point I'll decide whether to take a break from the repeated psalms (and perhaps look at Thursday Vespers), or continue on (feel free to provide me with feedback on your preferences at any point).  

THE REPEATED PSALMS

It is worthwhile, firstly, just to list out what the repeated psalms of the Benedictine Office are.

First, some individual verses (Psalm 50:16 and Psalm 69:1) are used as opening prayers for the hours, and are thus repeated every day, or even, in the case of the Deus in adjutorium verse, at almost every hour for most of the year.  

Secondly, a number of psalms repeated every day at particular hours, namely:

•  Matins (Ps 3 & 94)
•  Lauds (Ps 66, 50, 148-150); and 
• Compline (Ps 4, 90 & 133). 

And thirdly, nine of the Gradual Psalms (Psalms 119-127) are said on five days of the week from Terce to None.

History, speculation and spirituality

In ordering the psalter, St Benedict evidently took his cue from traditions that saw certain psalms as particularly fitted to particular hours, and thought some so important as to warrant daily repetition. 

In some cases, his choices reflected ancient traditions - the use of Psalm 50 and the Laudate psalms at Lauds for example seems to have early universal very early on.

In other cases though, the choices seem to have been more deliberate.

One popular theory is that St Benedict actually started from the ordering of the psalter used by Roman Churches of his time, adjusting it to give it more variety.  It is certainly a plausible theory, but essentially unprovable since there are no surviving Office books or psalter schemas that survive from that era.   Nonetheless, the Roman Office as it has come down to us shares at least some of the repeated psalms of the Benedictine Office in common, namely Psalm 94 at Matins; Psalms 66, 50 and 148-150 at Lauds; and Psalms 4, 90 and 133 at Compline.  The Roman Office, however, at least until it was thoroughly 'updated' under Pope St Pius X in 1911, contained far more repetitions than the Benedictine, for Psalms 118, 53 and 30 were all said daily in the older form of the Roman Office.

These differences, I would suggest, are important, for what things are or aren't regularly repeated surely help develop a particular spiritual mindset.  Some modern Benedictines, though retaining the weekly psalter, have sought to eliminate many of the repetitions, taking their permission from Chapter 18.  It seems to me, however, more consistent with the Vatican II direction to retain the patrimony of religious orders (Perfectae Caritatis 2b), to devote some consideration to just why St Benedict decided that certain psalms (and certain verses) were so important and/or so appropriate to a particular hour that they should be repeated frequently.

The comments below consider the reasons for the repetitions in the context of the particular hours in which they occur.  

MATINS: A LIGHT IN THE DARKNESS

"At midnight I rose to give praise to thee." (Psalm 118:62, quoted in RB 16)

St Benedict made it clear, in his Rule, that the symbolism of light and darkness were extremely important to him.  In particular, he devotes an entire chapter to the timing of the Divine Office at night (Matins, or Vigils), in order to ensure that the monks rose early enough to enable Lauds to be said at first light.   

The long night Vigil, however, in which the monk keeps watch through the darkness of the literal and metaphorical night, reflects the particular Office of the monk in dispelling the darkness on behalf of us all.  Unsurprisingly then, Matins is the workhorse of the Benedictine Office, easily the longest 'hour' of the day, almost as long,  most days of the week, as all the other hours combined due to its twelve variable psalms to be said each day.

St Benedict manages to pack a lot of symbolism though, into the repeated psalmody of the hour.  Firstly, the start of Matins marks the end of the overnight 'great silence' that starts after Compline.  How appropriate then, that the first words the monk or nun says each day is a plea for God to allow him to speak in praise of him:

16  Dómine, lábia mea apéries: * et os meum annuntiábit laudem tuam.

O Lord, you will open my lips: and my mouth shall declare your praise.

The first full psalm of the hour, Psalm 3, also includes a verse that can be taken very literally - though it also has an important spiritual meaning as we shall see  - in a reference to waking from sleep:

6  Ego dormívi, et soporátus sum: * et exsurréxi, quia Dóminus suscépit me.

I have slept and taken my rest: and I have risen up, because the Lord hath protected me

Psalm 3, though, is primarily a call to take up the spiritual warfare at the start of the new day, a reminder that the battle will not end until we are in heaven.  It is not accidental, in my view, that St Benedict's Rule also opens with a call to become spiritual warriors for Christ.

The second invitatory, Psalm 94, is a joyful invitation to worship our creator, redeemer and protector, but also contains an important warning not to put off repentance, but to respond to God’s call here and now should we here it.  It is worth noting that this psalm features in the Prologue to St Benedict's Rule, so it's appearance here too, is unlikely to be a coincidence.  

The psalm may also be significant for another reason: its verse recalling the forty years the Israelites spent wandering in the desert before being allowed to enter the Promised Land is mirrored in the forty psalms said each in the Benedictine Office (assuming you count the Laudate psalms individually).

You can find detailed notes on the daily psalms of Matins through the links below.

Psalm 3: 

Five reasons why St Benedict makes Psalm 3 a daily invitatory
Introduction to Psalm 3
Psalm 3:v1
Psalm 3:v2
Psalm 3:v3
Psalm 3:v4
Psalm 3:v5
Psalm 3:v6
Psalm 3:v7 
Psalm 3:v8

Notes on the Latin:
Notes on Psalm 3 grammar and vocab Pt 1
Notes on Latin of Psalm 3 Pt 2
Notes on the Latin of Psalm 3, Pt 3

Psalm 94:

Introduction to Psalm 94
Psalm 94 v1-2
Psalm 94 v3-4
Psalm 94 v5-7
Psalm 94 v8-9
Psalm 94 v 10-11

LAUDS: THE HOUR OF LIGHT

"May God cause the light of his countenance to shine upon us" (Psalm 66)

 In the Roman Office, Lauds is very closely linked to Matins, and often said effectively as one hour.  In the Monastic Office, however, St Benedict envisages there being a break between the two hours.  In winter he envisages this break being quite long, providing time for study of the psalms and lessons for those who needed it (RB8); in summer it is just a break for 'the necessities of nature'. The reason for the break is simple: Lauds was to be carefully timed so that it begins at first light, and thus take in dawn.  The rising of the sun, then, symbolises the Resurrection of the Son.  So important is the connection with the time of day for this hour that St Benedict even instructs his monks to cut short the readings of Matins if necessary in order to ensure that Lauds is said at its proper time.

In keeping with this symbolism, both the psalms and the proper canticle for the hour, the Benedictus (from St Luke), link the hour symbolically to the 'almost/but not yet' time we live in - after the Coming of Our Lord, but before the Kingdom is fully realised on earth with his return in glory to judge the earth. 

The hymns and psalms of Lauds focus on preparing for and rejoicing at the coming of the sun/Son, and its hymns and psalms contain many references to the dawn and the morning, and the coming light.  Overall, the flavour of the hour is one of anticipation and joy at the coming dawn. 

Lauds is the longest of the day hours in the Benedictine Office, with seven psalms and two canticles assigned to it.  The hour itself is somewhat unusual compared to the rest of the Office in that five of those psalms - Psalms 66, 50, 148, 149 and 150 - are repeated every day.  The fixed psalms are, therefore, obviously very important in setting the flavour of this hour.

The repeated psalms of Matins, I would suggest, are essentially ones of preparation, seeking to inculcate the right attitude to the coming day in us.  The repeated psalms of Lauds, though, have more of a focus on action.

The hour always starts (after the Deus in Adjutorium) with Psalm 66, a beautiful psalm asking for God's blessing to come upon us.   Psalm 66 is though, above all a prayer for the mission of the Church, the blessing requested is for our work so that 'all peoples may confess God's name'.

The second psalm, the Miserere acknowledges our sinful state, and begs God's forgiveness of our sins.  The Miserere is the most famous of the penitential psalms, and also the most beautiful, not least for its glimmers of light as it begs God to 'give us back the joy of salvation'.  But again, as well as being a call to repentance it also has a focus on mission, for example asking for the grace to 'teach thy ways to evil-doers'.

The psalmody of Lauds always ends on a joyful note, with the Laudate or ‘rejoicing’ psalms, from the very end of the psalter, which have always been interpreted by Christians as our response to the Resurrection.  The really key verse, I would suggest, comes right in the middle, in Psalm 149:6, which teaches that the mission of the faithful is twofold: firstly to worship God, and secondly to advance the Gospel in the world (the sword is the word of God, its two edges the Old and New Testaments):

6  Exaltatiónes Dei in gútture eórum: * et gládii ancípites in mánibus eórum.

6 The high praises of God shall be in their mouth: and two-edged swords in their hands:

You can find detailed notes on the daily psalms of Lauds through the links below.

Psalm 69: 

Deus in adjutorium meum intende: Psalm 69

Psalm 66:

Introduction to Psalm 66
Psalm 66 v1-2
Psalm 66 v3-4
Psalm 66 v5-6

Psalm 50:

Introduction to Psalm 50
Psalm 50: verses 1-4
Psalm 50: verses 5-6
Psalm 50: verses 7-9
Psalm 50: verses 10-12
Psalm 50: verses 13-15
Psalm 50: verse 16
Psalm 50: verses 17-18
Psalm 50: verses 19-20
Psalm 50 in the daily Office 

Psalm 148:

Introduction to Psalm 148
Psalm 148 v1-4
Psalm 148 v5-6
Psalm 148 v7-10
Psalm 148 v11-12
Psalm 148 v13-14

Psalm 149:

Introduction to Psalm 149
Psalm 149 v1-3
Psalm 149 v4-6
Psalm 149 v7-9

Psalm 150:

Introduction to Psalm 150
Psalm 150 v1-2
Psalm 150 v3-5a
Psalm 150 v5b


TERCE TO NONE: THE ASCENT OF GRACE

One of the most distinctive features of the Benedictine Office is the use of nine of the Gradual Psalms (Psalm 119-127) at Terce to None from Tuesday to Saturday.  St Benedict's use of the Gradual Psalms is interesting, because they fit particularly well with the other psalmody of Tuesday, the first day of the week on which they are said, but also form part of the repeated framework of the day hours.

These psalms are thought to have been sung liturgically as the pilgrims ascended the fifteen steps of the Temple in Jerusalem on major feasts, as well as being pilgrim songs.  The Fathers saw them, though, as tracing the mystical ascent of the Christian in the spiritual life in imitation of Christ, who shows us how to climb Jacob’s ladder to heaven and grow in virtue.

You can find links to detailed notes on the Gradual Psalms, together with a commentary on the reasons for their positioning in the Benedictine Office here.

COMPLINE: INTO GREAT SILENCE

Compline is the only hour in the Benedictine Office that remains the same every day (the Marian antiphon aside).  Said last thing in the evening, it teaches us how to deal with the darkness that inevitably surrounds us in this world, as well as the darkness and dangers of the literal night itself.

The structure of Compline is described in St Benedict’s Rule in Chapters 17 and 18, however over time the hour has been elaborated somewhat with the addition at the beginning of a new ‘opening section’ that includes a short reading warning of the dangers of the night and an examination of conscience and confession of sins; at the end with a Marian antiphon and prayer.   The three psalms set for it are Psalms 4, 90 and 133.  

Like Psalm 3 that opens the day, Psalm 4 contains verses that makes it particularly appropriate to the hour, indeed one that is in effect response to the verse on rising from sleep in Psalm 3:

9 In pace in idípsum * dórmiam et requiéscam;	In peace in the self same I will sleep, and I will rest
10 Quóniam tu, dómine, singuláriter in spe * constituísti me.	For you, O Lord, singularly have settled me in hope.

The psalm calls upon us to repent of the sins of the day; asks God to grant us forgiveness and the grace to do better in future; and asks for God’s blessing on our sleep.  

Psalm 90 is most commonly associated with Our Lord's temptation in the desert in the Gospels, and provides reassurance of God’s protection of the just against all the dangers that can arise.  The first section of the psalm sets out the promise of divine protection that God grants to the faithful.  It closes with words put in the mouth of God.  One particular reason its use may have appealed to St Benedict is the allusion to God as our 'susceptor' or sustainer, upholder, a word (which also appears in Psalm 3) that was particularly important in the monastic tradition, not least for its associations with the Suscipe verse (Psalm 118:116) used in the monastic profession ceremony.

The last psalm of the each day, Psalm 133 is also the last of the Gradual psalms, and at the literal level, this psalm is a summons to worship at night, and give God thanks for the blessings of the day.  Spiritually though, it points to our ultimate destination in heaven, where the worship of God never ends.   It concludes by requesting a blessing from God on us. 

You can find links to notes on the daily psalms of Compline through the links below.

Ps 4:

Psalm 4 in the context of Tenebrae
Psalm 4 - Short summaries
Psalm 4  - verse by verse notes (to come)

Ps 90:

Ps 90 - Short summaries
Ps 90 - verse by verse notes (to come)

Ps 133:

Introduction to Psalm 133
Psalm 133 verse1
Psalm 133 verse 2
Psalm 133 verse 3
Psalm 133 verse 4

In a monastery, the hour is traditionally followed by the abbot or abbess sprinkling the monks or nuns with holy water, usually while verses of Psalm 50 (from ‘Asperges me…’) are chanted.  And then the Great Silence falls, lasting until those first words of Matins are spoken again.

Coming soon...

This is just a quick note to let readers know that I plan to resume my psalm notes series this week, with a look at some of the psalms that are frequently repeated in the Benedictine Divine Office.

The repeated psalms of the Office

Before Easter someone asked me if I'd take a look at Psalm 94, one of the two invitatory psalms for Matins in the Benedictine Office, also said daily in the older forms of the Roman Office.

I've also previously indicated that I plan to look at the Gradual Psalms.

Accordingly, I thought that this might in fact be a timely point to look at the full set of daily (or frequently said) psalms in the Benedictine Office.  My plan then, subject to my own time constraints, is to look first at those psalms said daily in the Office, viz:

• Psalm 3 (just one post on this as I've previously provided verse by verse notes); 
• Psalm 94 at Matins;
• Psalms 66 said daily at Lauds;
• Psalm 50 (recently covered in the penitential psalms series);
• Psalms 148-150 at Lauds; 
• Psalms 4 and 90 said each day at Compline.

My thinking is then to take a look at the Gradual Psalms, particularly focusing on Psalms 119-127 said at Terce to None on Tuesday to Saturday; and Psalm 133 said at Compline each day.

Feedback

Before I get started though, please do feel free to provide any feedback on anything to do with the blog.

I'd particularly appreciate any comments on things like:

• Frequency of posts - I'm thinking of posting every second day for example, does that sound about right?
• Are there any particular things you'd like to see included in the notes (or left out/less of)?
• Any explanatory notes on my approach needed?
• Any particular psalms (or sets of psalms) you'd like me to consider looking at in future?  My plan at the moment is to get back, eventually, to the psalms of the day hours from Thursday to Saturday, focusing particularly on Vespers, but I'm open to other suggestions (for example going back to fill in verse by verse notes on some of the psalms I've only provided overviews of).

And in the meantime...

You might also find my series on lectio divina this week over at my other blog of interest, not least because it includes some examples on the psalms.

Matins canticles for Eastertide: Isaiah 63

Every Sunday, Matins in the Benedictine Office is celebrated as something of a mini-Easter Vigil, with a set of psalms focused on the Resurrection, and a third nocturn consisting of three canticles.  In Eastertide, the celebration of the Resurrection becomes even more intense, with the canticles particularly focused on that subject.  Accordingly, this post takes a look at the first of the three, which comes from Isaiah 63.

Isaiah 63:1-5

Quis est iste, qui venit de Edom, * tinctis véstibus de Bosra?	Who is this that cometh from Edom, with dyed garments from Bosra
Iste formósus in stola sua, * grádiens in multitúdine fortitúdinis suæ?	This beautiful one in his robe, walking in the greatness of his strength.
Ego qui loquor iustítiam, * et propugnátor sum ad salvándum.	I, that speak justice, and am a defender to save.
Quare ergo rubrum est induméntum tuum, * et vestiménta tua sicut calcántium in torculári?	Why then is thy apparel red, and thy garments like theirs that tread in the winepress?
Tórcular calcávi solus, * et de géntibus non est vir mecum;	I have trodden the winepress alone, and of the Gentiles there is not a man with me
Calcávi eos in furóre meo, * et conculcávi eos in ira mea:	I have trampled on them in my indignation, and have trodden them down in my wrath
Et aspérsus est sanguis eórum super vestiménta mea, * et omnia induménta mea inquinávi.	and their blood is sprinkled upon my garments, and I have stained all my apparel.
Dies enim ultiónis in corde meo, * annus redemptiónis meæ venit.	For the day of vengeance is in my heart, the year of my redemption is come.
Circumspéxi, et non erat auxiliátor; * quæsívi, et non fuit qui adiuváret:	I looked about, and there was none to help: I sought, and there was none to give aid:
Et salvávit mihi bráchium meum, * et indignátio mea ipsa auxiliáta est mihi.	and my own arm hath saved for me, and my indignation itself hath helped me.

 This is one of those texts whose connections to the Resurrection looks, at first glance at least, obscure to modern eyes.  

Yet its association with it is attested to by Scripture itself, for Revelation 19 draws heavily on this canticle (see also Rev 14:19-20):

"11 Then, in my vision, heaven opened, and I saw a white horse appear. Its rider bore for his title, the Faithful, the True; he judges and goes to battle in the cause of right. 12 His eyes were like flaming fire, and on his brow were many royal diadems; the name written there is one that only he knows. 13 He went clad in a garment deep dyed with blood, and the name by which he is called is the Word of God;14 the armies of heaven followed him, mounted on white horses, and clad in linen, white and clean. 15 From his mouth came a two-edged sword, ready to smite the nations; he will herd them like sheep with a crook of iron. He treads out for them the wine-press, whose wine is the avenging anger of almighty God. 16 And this title is written on his cloak, over his thigh, The King of kings, and the Lord of lords." (Knox translation)

Decoding the canticle

Unsurprisingly then the passage was the subject of numerous commentaries by the Fathers, including Tertullian (d. 220), Origen (d. 254), Cyprian (d. 258), Cyril of Jerusalem (d. 386), Cyril of Alexandria (d. 444) as well as many of the later Fathers.  Accordingly, it is worth drawing on their decoding of the key references.

In verse 1, Edom was taken not as a reference to the place, but as meaning both red or bloody, and 'of the earth' - so who is it who comes from the earth is a reference to the Resurrection of Christ. 

The 'dyed garments' of verse 1 (red in verses 3&7) are Christ's bloodstained clothing.

The references to his beauty in strength in verse 2 were generally interpreted as references to the attributes of his risen body (cf 1 Cor 15:44).

The justice that saves of verse 3 is the Gospel, and Christ's intervention on our behalf.

The image of the winepress (v5) gives us the image of Christ alone working to achieve the hard-fought victory: he was abandoned by all of his disciples (v5, 9). 

The final verse, then, takes us to the victory of the Resurrection. 

Masterpost: The Seven Penitential Psalms

The Seven Penitential Psalms

The listing of the penitential psalms - Psalm 6, Psalm 31 (32), 37 (38), 50 (51), 101 (102), 129 (130) and 142 (143) - was firmed up by Cassiodorus, a sixth century contemporary of St Benedict.  You can find the full text of all of the set here.

The Penitential Psalms were traditionally prayed communally each day during Lent - indeed, Pope Innocent III (1198-1216) ordered them to be prayed at this time.

You can find them with the antiphon normally used in most missals, or in the Monastic Diurnal.

Introduction to the series

Psalm 6
Psalm 6 as a penitential psalm
Introduction to Psalm 6
Psalm 6 Pt 2: On God's anger (v1)
Psalm 6 pt 3: God the physician (v2)
Psalm 6 pt 4: In death no man remembers you (v3-5)
Psalm 6 pt 5: A baptism of tears (v6)
Psalm 6 pt 6: praying for our enemies (v7-10)

Psalm 31

Introduction to Psalm 31
Psalm 31 Pt 2: The grace of forgiveness (v1)
Psalm 31 Pt 3: Admitting our faults (v6)
Psalm 31 Pt 4: On being as stubborn as a mule (v11-12)

Psalm 37

Introduction to Psalm 37
Psalm 37 verse 6
Psalm 37 v14&15
Psalm 37 v18

Psalm 50

Introduction to Psalm 50
Psalm 50: verses 1-4
Psalm 50: verses 5-6
Psalm 50: verses 7-9
Psalm 50: verses 10-12
Psalm 50: verses 13-15
Psalm 50: verse 16
Psalm 50: verses 17-18
Psalm 50: verses 19-20

Psalm 101

Introduction to Psalm 101
Psalm 101 verses 1-3
Psalm 101 v7-8
Psalm 101 v12-14
Psalm 101 v 26-29

Psalm 129

Introduction to Psalm 129 as a penitential psalm pt 1
Intro to Psalm 129 Pt 2
Psalm 129: Hear my plea (verses 1-2)
Psalm 129: God's great mercy (v3-5a)
Psalm 129: The virtue of hope (v5b-6)
Psalm 129: The promise of redemption (v7-8)

Psalm 142

Introduction to Psalm 142 as a penitential psalm
Psalm 142: verses 1-4
Psalm 142 v5
Psalm 142: verses 6-7
Psalm 142: verses 8-9
Psalm 142 v10-12
Psalm 142 v13-14

Psalm 142 pt 4: verses 13&14

Verses 13&14
The procession of St Gregory seeking an end to the plague
Les Très Riches Heures du duc de Berry, Folio 71v
the Musée Condé, Chantilly

In the previous part of this mini-series, I looked at verses 11&12 of Psalm 142, and suggested that the psalmist’s pleas to be delivered from his enemies was to be accomplished in large part by his learning to do God’s will, and guidance by the Holy Spirit. Those verses provide some context for the verses I want to look at today by way of conclusion of this Lent series, namely the last two verses of the psalm – and thus of all of the penitential psalms – which contain a further plea for God’s help.

At first glance, verses 13 and 14 present problems to the modern reader, since they sound awfully like a request for God to do some smiting! And while we might all feel the desire for that to occur from time to time, we know full well that in fact we are called on to forgive our enemies, and to return good for evil. So how should we reconcile these seemingly conflicting messages?

The text

First let’s take another look at the verses themselves. Here is the Vulgate (which is identical to the neo-Vulgate):

13	V/NV	Edúces de tribulatióne ánimam meam: * et in misericórdia tua dispérdes inimícos meos.
	JH	educes de angustia animam meam ;  et in misericordia tua dissipabis inimicos meos,

The key verbs here are all in the subjunctive, making them a pleas or request: educare means to lead out, bring or draw forth; disperdere means to destroy, or destroy utterly.  Hence a literal translation of this verse would be something like: ‘may you bring my soul (animam meam) out of distress/trouble (de tribulatione), and in your mercy/kindness/compassion (misericordia) destroy my enemies (inimicos meos) 

educo, duxi, ductum, ere 3,  to lead out or forth.

disperdo, didi, ditum, ere 3, to destroy, destroy utterly.

DR	You will bring my soul out of trouble: And in your mercy you will destroy my enemies.
Brenton	thou shalt bring my soul out of affliction.  And in thy mercy thou wilt destroy mine enemies,
MD	In thy justice save me from distress, and in Thy mercy disperse my enemies
Cover	bring my soul out of trouble. And of thy goodness slay mine enemies,

14	V/NV	Et perdes omnes, qui tríbulant ánimam meam, * quóniam ego servus tuus sum.
	JH	et perdes omnes ligantes animam meam; ego enim sum seruus tuus.

ie: And (et) you will destroy (perdes) all (omnes) those who trouble/afflict (qui tribulant) my soul, because (quoniam) I am (ego sum) your servant (servus tuus)’.

perdo, didi, ditum, ere 3, to destroy

DR	And you will cut off all them that afflict my soul: for I am your servant.
Brenton	and wilt destroy all those that afflict my soul; for I am thy servant.
MD	And destroy all who afflict my soul: because I am Thy servant
Cover	And destroy all them that vex my soul; for I am thy servant.

Who are our enemies?

We shouldn't, in my view, back away from the idea of praying for the defeat of actual physical enemies here, whether they be personal, enemies of the Church, or of our country. The harsh reality is that evil can and does get worked through others. We shouldn’t be afraid to pray that someone who is hurting us or others be stopped from doing so!

Of course, our prayer must be, first and foremost, that they be converted.

And we must genuinely seek to forgive them for what they do to us and others.

Forgiving someone though, doesn’t mean letting them continue to sin! Accordingly, it is important to keep in mind that praying for the defeat of evil and those who oppress us by whatever direct or indirect means God chooses to employ, or helps us to employ, is perfectly legitimate.

David's Victory
Les Très Riches Heures du duc de Berry, Folio 95r
Musée Condé, Chantilly.

Victory over sin

Nonetheless, in the context of the penitential psalms, our primary focus should be first and foremost on the mote in our own eye! The enemy in this context is not so much others: for we can accept bear their attacks as part of our penance, or offer up our sufferings at their hands for others.

But we must also focus, especially during this Lenten season, on overcoming our own weaknesses, bad habits, faults and sins. And we shouldn't hesitate to ask God's help in this most personal of battles.

The previous psalms, as well as the earlier verses of this psalm teach us the other weapons we must employ: work to develop a strong and deep sense of contrition; go to confession, tell all of our sins, and be absolved; do our penance and more; study, meditate and contemplate God's works; and submit ourselves to God's will and the guidance of the Holy Spirit.

Of course, in this battle, it is also important to keep in mind that not all of our faults come from within ourselves: we are also engaged in a spiritual warfare waged against powers and principalities; so call too for God's help in the form of our own guardian angel's interventions.

We should pray too, for final perseverance, for above all, these verses reminds us of God’s promise that evil will eventually be defeated and good vindicated, if not in this life, then in the next.

Psalm 142: Domine, exaudi orationem meam

Vulgate	Douay-Rheims
Psalmus David, quando persequebatur eum Absalom filius ejus.	A psalm of David, when his son Absalom pursued him
1 Dómine, exáudi oratiónem meam: áuribus pércipe obsecratiónem meam in veritáte tua : * exáudi me in tua justítia.	Hear, O Lord, my prayer: give ear to my supplication in your truth: hear me in your justice.
2  Et non intres in judícium cum servo tuo: * quia non justificábitur in conspéctu tuo omnis vivens.	And enter not into judgment with your servant: for in your sight no man living shall be justified.
3  Quia persecútus est inimícus ánimam meam: * humiliávit in terra vitam meam.	For the enemy has persecuted my soul: he has brought down my life to the earth.
4  Collocávit me in obscúris sicut mórtuos sæculi : * et anxiátus est super me spíritus meus, in me turbátum est cor meum.	He has made me to dwell in darkness as those that have been dead of old: And my spirit is in anguish within me: my heart within me is troubled.
5  Memor fui diérum antiquórum, meditátus sum in ómnibus opéribus tuis: * in factis mánuum tuárum meditábar.	I remembered the days of old, I meditated on all your works: I meditated upon the works of your hands.
6  Expándi manus meas ad te: * ánima mea sicut terra sine aqua tibi.	I stretched forth my hands to you: my soul is as earth without water unto you.
7  Velóciter exáudi me, Dómine: * defécit spíritus meus.	Hear me speedily, O Lord: my spirit has fainted away.
8  Non avértas fáciem tuam a me: * et símilis ero descendéntibus in lacum.	Turn not away your face from me, lest I be like unto them that go down into the pit.
9  Audítam fac mihi mane misericórdiam tuam: * quia in te sperávi.	Cause me to hear your mercy in the morning; for in you have I hoped.
10  Notam fac mihi viam, in qua ámbulem: * quia ad te levávi ánimam meam.	Make the way known to me, wherein I should walk: for I have lifted up my soul to you.
11  Eripe me de inimícis meis, Dómine, ad te confúgi: * doce me fácere voluntátem tuam, quia Deus meus es tu.	Deliver me from my enemies, O Lord, to you have I fled: Teach me to do your will, for you are my God.
12  Spíritus tuus bonus dedúcet me in terram rectam: * propter nomen tuum, Dómine, vivificábis me, in æquitáte tua.	Your good spirit shall lead me into the right land: For your name's sake, O Lord, you will quicken me in your justice.
13  Edúces de tribulatióne ánimam meam: * et in misericórdia tua dispérdes inimícos meos.	You will bring my soul out of trouble: And in your mercy you will destroy my enemies.
14  Et perdes omnes, qui tríbulant ánimam meam, * quóniam ego servus tuus sum.	And you will cut off all them that afflict my soul: for I am your servant.

Ne reminiscaris Domine...

I want to conclude this series not with another version of the psalm for you to listen to, but with the antiphon used at the end of the penitential psalms.  Here, it is in an English setting by Purcell.

The first half of the setting is simply a translation of the Catholic liturgical text:

Remember not, Lord, our offences,
nor the offences of our forefathers;
neither take thou vengeance of our sins:

The second part is an addition from the Book of Common Prayer, but it is so catholic in content that I strongly suspect it actually has its quasi-liturgical origins in the Sarum Rite:

spare us, good Lord, spare thy people,
whom thou hast redeemed with thy most precious blood,
and be not angry with us for ever.
Spare us, good Lord.

And that concludes this Lenten series.  I do hope you have enjoyed this series and found something in it to stimulate your prayer.

May you have a happy and holy Easter.